Word: joyful
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Dates: during 1950-1959
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...arduous work a pleasure by transmuting pressures into power-with, rather than power-over, others . . . Only those who know the military or have experienced the industrial form of organization will fully appreciate how lucky is our academic lot ... It is good, how good, to share the unearned increments of joy arising from continuous collaboration of youth...
...usual in Tati's pictures, there is really no plot. On the one side, Tati lines up the protagonists of the gadget: a manufacturer of plastics, whose pride and joy is the cubistic chateau in which he spatially participates with a severely functional, ever-scrubbing wife, a discontented son who is obviously a round peg in a square hole, and a free-form dachshund. On the other side, Tati ranges the proponents of the casual life: Hulot himself, an awesomely inefficient employee of the department of sanitation, a big fat slob who sells vegetables from the back...
...hanging for Jamali and three others. On hearing the verdict, Jamali seemed almost to lose his balance, then leaned wearily on the railing of the prisoner's box. An assistant prosecutor bawled: "Long live justice! Long live the republic!" Out on the Baghdad streets, the mob howled its joy, clamored for even more death sentences. The mob was clearly closing in on General Kassem, who alone has the power of clemency. The U.S. and Britain felt horror and shock at the verdict (they had expected a prison term), but knew that any public statement by them would only deliver...
Turin's Valentino Exhibition Palace was ablaze with chrome and bright-painted metal. On view at Italy's oldest and biggest auto show were the pride and joy of the world's automakers: 64 models from twelve nations, including General Motors' opulent Cadillac, Czechoslovakia's tanklike Tatra, Britain's 150-m.p.h. Aston Martin racer. But the stars of the show were not the big, the swift or the beautiful. They were the small, neatly styled economy cars that spark the biggest boom Europe's automakers have ever known. This year the industry will...
...others, the sculptor Maillol is comparable to Renoir, whose portrait he modeled superbly. Both maximized, late in life, a union of sensuosity and innocence which characterizes their work. Both were passionately fond of the beautiful, even of the pretty, and achieved a voluptuousness and bursting fullness which epitomizes the joy a poet finds in all nature. Both were especially involved with the rhythm of the female form. Maillol wrote, "Girlhood with its fresh bloom, its flowerlike innocence, its confidence in life, is for me the world's greatest wonder...