Word: joyful
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Dates: during 1990-1999
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Kinski barely registers. In her early scenes with Snipes she is vulnerably cute, after which she just stands around looking hopelessly vacant. She is upstaged by Wen (who played June in The Joy Luck Club). Snipes and Wen have great chemistry, taking an argument about a dress and twisting it beautifully into a full-out tete-a-tete. Snipes' nuanced performance--for which he received the Best Actor Award at this year's Venice Film Festival--makes you wish that he would give up playing generic action heroes and return to more serious acting like that of his earlier work...
Even though the tracks are void of originality, the slashing social commentary, accessible melodies and comic relief still keep the mind and ears in focus. "Monosyllabic Girl" cranks out an ecstatic 54 second love ramble, suffused with unadulterated joy for a most unusual girl ("I take her to the seaside where she likes to spin and twirl/She says sure and cool and yeah/She's my monosyllabic girl"). On a more critical note, the scathing, frenetic "It's My Job to Keep Punk Rock Elite" opens So Long with fiery skate punk underground attack on corporate A&R sharks, summed...
...spent weeks committing rushing totals, passing efficiency statistics and defensive formations to memory, and now we can turn to the true joy of crunchtime: playoff contingencies...
...four-star establishment in Manhattan ("I never cook anymore"), Guarnaschelli dismisses Corn's complaint: "I thought maybe she could deliver a great chapter. It wasn't what I could use. That's all there is to it." What about all the turmoil surrounding the preparation of the new Joy, most of which has been blamed on her? "I'm emotional, but I'm not difficult," she counters. "I'm dramatic, I'm intense, but people like to work with me." Over a table laden with desserts, including le vacherin minute et meringue reglisse and le kouglof glace au caramel, Guarnaschelli...
...cookbook, in short, has come a long way from St. Louis, Mo., where the newly widowed Irma Rombauer, in the teeth of the Great Depression, assembled her recipes and those of her largely German-American friends. Whether the new Joy will win minds and hearts the way the old ones did remains a matter of intense interest to those involved. A lot is riding on this project, and as Irma's friends might have said, the proof is in the pudding. --Reported by Andrea Sachs/Cincinnati