Word: joying
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Dates: during 1960-1969
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...metamorphosed themselves in his mind into icons against the savage man-made destruction outside. Today Lucas Samaras continues to craft them into prickly, disturbing drawings and assemblages. They suggest that pain and anguish lurk in the commonest household object, yet at the same time they glitter with a prideful joy...
...Vomit on Joy. Inside, several hundred security men were assigned to mingle with delegates and spectators while others stood vigil on catwalks overseeing the entire arena. There was even talk of putting men in subterranean service areas. Employees of the amphitheatre, the neighboring Stock Yard Inn and major hotels were all checked for security. Police from coast to coast were asked to inform the FBI as lead ing protesters left for Chicago...
...still divided on goals and methods. Tom Hayden, who traveled to North Viet Nam last year to obtain the release of three U.S. prisoners and who is now a chief organizer of the mobilization committee, said that "we are coming to Chicago to vomit on the politics of joy, to expose the secret decisions, upset the nightclub orgies, and face the Democratic Party with its illegitimacy and criminality." Members of Students for a Democratic Society, on the other hand, are only reluctantly joining the demonstrations. Their purpose in coming to Chicago is to convert young McCarthyites to radicalism when...
...agonizing over his encyclical on birth control, then weeks of widespread and often bitter criticism, here was simple, uncomplicated, old-fashioned affection. The papal presence transformed Colombia's somber capital, insulated 8,355 ft. high on a plateau between two Andean ranges, into a scene of sheer, uninhibited joy. Shoulder to shoulder, an estimated 500,000 bogotanos lined the eight-mile route to town, straining for a glimpse of their spiritual leader, who rode in an open-topped Lincoln Continental, and waving white handkerchiefs in the South American flicker of greeting...
Anguish to Joy. Continuing in its tradition of skillful, venturesome productions, the Santa Fe company last week gave the U.S. premiere of Arnold Schoenberg's dark, somber statement of musical theosophy, Die Jakobsleiter (Jacob's Ladder). Schoenberg wrote it in 1917 as an oratorio, but left it unfinished at his death in 1951. Santa Fe presented it as a visually cool, shadow-filled, dreamlike mystery play. In the final scene, the Dying Person (Soprano Patricia Wise) is led up a silver-covered staircase as she approaches death; then she begins to realize that she has gone through many...