Word: joyousness
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Dates: during 1970-1979
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...tourists do in the contrasts and paradoxes of their extraordinary homeland. Lod was a fortified city in the days of Joshua; its motto is taken from the prophet Jeremiah: "Thy children shall come again to their own border." At the site of this ancient citadel, giant jetliners today disgorge joyous refugees from the Soviet Union, the source of the latest aliyah. Horse-drawn carts rattle through the streets of nearby Ramla, while Phantom and Skyhawk jets scream overhead. Beneath the Qumran caves, where the Dead Sea Scrolls were discovered, picnickers romp along the shores of the Dead Sea. In Rehovoth...
...North Vietnamese are taking no chances. The Price of Peace cuts from joyous throngs in Hanoi last February celebrating Tet to anti-aircraft crews drilling, still watching and waiting. In a stunning, red-filtered rapid-fire sequence, the film then returns to the awful scene last Christmas. Air raid sirens wail in the background, Hanoi's people retrace familiar paths to their bomb shelters, gun crews peer upward into the darkness, bombs carpet the screaming night, missiles streak skyward, periodically to rendezvous with their unwilling targets...
...religious paintings, Francis strips himself before the bishop and the townfolk, and hands back to his father his clothes, his earthly possessions and his name. Striding to the city gates, he stands outlined against the sky outside, his naked body reminiscent of the last human nudity Zeffirelli celebrated, the joyous body of Romeo. But his Romeo arose from a bed of love to face a world of tragedy; his Francis rushes off in a return to nature that is too starry-eyed to be believed...
Like Ramakrishna's ascetic but joyous Vedanta (which is once again growing in the U.S.), the Hindu imports of today tend to concentrate on various meditative disciplines. The most famous is the transcendental meditation of the Maharishi Mahesh Yogi, whose early converts were the Beatles. TM is, however, a basically nonreligious self-therapy...
Edward Zwick has made the rather barren script, by Joel Schwartz '66, into an excellent point of departure for his ensemble of actors. The cast, combining fluidity and grace with a concern for moral issues, adopt different characters and moves from joyous court scenes to moribund battles with remarkable ease. Bernard Holmberg extends his domain over the entire audience with his powerful portrayals of both the again Kings Saul and David. He carefully constructs the painful tension of a forsaken leader, and confidently bursts into song and dance. In the final scene, his change from proud endurance to senility...