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If you have been waiting 40 years to learn the name of the obscure Mexican clerk who was the model for the Judas figure in The Power and the Glory, or if you lie awake wondering who originally owned the revolver that Graham Greene used when he played Russian roulette...

Author: /time Magazine | Title: Books: A Useful Application of Faith | 6/12/1989 | See Source »

The principal settings are those favorite corners of Greeneland, grimy London and a sunnier Third World capital, both pregnant with menace. The story lurches, sometimes comically, toward a classic Greene ending, which combines plausible irony with amazing grace. And the Captain is a typical Greene figure: a man of several...

Author: /time Magazine | Title: Bookends: Oct. 31, 1988 | 10/31/1988 | See Source »

Scorsese is America's most gifted, most daring moviemaker. His style is impatient, intimate, conspiratorial, the camera scurrying ever closer to the heart of the matter -- X rays of souls in stress. His films are also, thematically, the same film. In Mean Streets and Raging Bull, The King of Comedy...

Author: /time Magazine | Title: Religion: A Critic's Contrarian View | 8/15/1988 | See Source »

Jesus has brief onscreen sex with his first wife Mary Magdalene and later commits adultery. Judas is a hero, the strongest and best of the apostles. Paul is a hypocrite and liar. Jesus is so dazed that, even on the eve of his Crucifixion, he is still not quite sure...

Author: /time Magazine | Title: Religion: A Holy Furor | 8/15/1988 | See Source »

Nothing unorthodox there, strictly speaking. As both fully human and fully divine, Jesus is viewed in Christian theology as free of sin but subject to all temptations, including sexual ones. Following Kazantzakis, however, Scorsese presents the early Jesus as a weak and dithering collaborator who builds crosses used by the...

Author: /time Magazine | Title: Religion: A Holy Furor | 8/15/1988 | See Source »

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