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When did you first meet the Judd Apatow crew...

Author: /time Magazine | Title: Pineapple Express Director David Gordon Green | 8/7/2008 | See Source »

...Seeing Judd work in a very commercial, but very loyal and respectful way with people, giving his actors tremendous freedom with improvisation, was great. And I was looking at their model of commercial, successful comedies and mine of dramatic films that don't make any money and thought there might be a cool fit there. I am at a point professionally where I need a little bit of financial credibility. And it worked out conveniently that my interest was to make a commercial comedy. The hope is that people see that they can invest in me and make some money...

Author: /time Magazine | Title: Pineapple Express Director David Gordon Green | 8/7/2008 | See Source »

...critic's brain that goes soft, or just the movies he's paid to see? At this time of year, all films start blending into one: something about a comic book superhero with arrested-development issues who saves the world while making pee-pee jokes. Produced by Judd Apatow...

Author: /time Magazine | Title: Pineapple Express: Very Dope | 8/6/2008 | See Source »

...Johnson (Kevin Costner) is a loser, a wastrel, a jerk--and not one of the purportedly adorable kind in the Judd Apatow movies. The stupor Bud drinks himself into each evening leaves him barely able to drag himself to work the next morning, let alone care for his young daughter Molly (Madeline Carroll). His employer has been "insourcing" Mexicans who'll work for less money and firing hapless guys like Bud. It's no wonder that feeling disenfranchised, disaffected and perennially dissed, he belongs to what would be by far the largest U.S. political party: the We Don't Voters...

Author: /time Magazine | Title: It's the Election, Stupid | 7/31/2008 | See Source »

...root for these teens, even Megan, the somehow-poor little rich girl. But it's also tough to ignore their similarities to countless characters in teen dramas and comedies. John Hughes sculpted a career writing about kids like these in The Breakfast Club and Pretty in Pink; Judd Apatow's Freaks and Geeks mined the same vein. Burstein's film is way more earnest, but she's learned a lot, maybe too much, from the movies' take on teendom. Rather than offer a gritty view, upending the familiar vision of high school angst, she has fashioned a work so smooth...

Author: /time Magazine | Title: A Year with American Teens | 7/24/2008 | See Source »

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