Word: judd
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...Judd Apatow had a problem. The test screenings for his movie The 40-Year-Old Virgin were killing. But the jokes that were really landing were the ones featuring pot. Sophomoric, Cheech-and-Chong-y cheap yuks about weed. But funny ones. He called his old friend Garry Shandling to ask whether he should leave them in. They went with the only responsible choice: comedy comes first...
...right, a laff scuffle - a picture that isn't quite as funny as it might be, but is as funny as it needs to be. Agreeably directed by Dennis Dugan, conceived by its star, Adam Sandler, and one-third written by him (his co-conspirators are Robert Smigel and Judd Apatow), the picture bears many of the latter's trademark moves. That is to say it is simultaneously a little bit vulgar and a little bit sentimental and comes out as a virtually bullet-proof blend for the mass, summertime audience...
...Mess with the Zohan Directed by Dennis Dugan; rated PG-13; out now Zohan (Adam Sandler) is the most feared and accomplished of Mossad agents. But what he really wants to do is cut hair. Working with top comedy writers Robert Smigel and Judd Apatow and dispensing with his standard idiot hero and bullying tone, Sandler fronts his most satisfying movie since The Wedding Singer in 1998. It's good, dirty...
...paradox of Kapoor's work is that it has debts to the blunt boxes of minimalists like Donald Judd and Robert Morris as well as to the weightless atmospheres of James Turrell. But the blend of heavy and vaporous, declaring and beckoning--that's all Kapoor's. That explains S-Curve. A long wall of bending steel, it's like one of Richard Serra's hulking stretches. But because of its mirrored surface, S-Curve dematerializes, the way Cloud Gate does, into a field of runny reflections that throws the world for a loop. It's art as metaphysical jujitsu...
...comes the requisite paragraph where I say I'm not really qualified to comment on either the series or the movie because I'm (a) male and (b) straight. And yet, having both those infirmities, I also feel estranged at times from Judd Apatow films. I have the anachronistic notion that romantic comedies needn't be exclusively partial to one gender; they should be critical and loving and true to both. So I'll soldier on with my mixed, distant, defiantly ignorant review of this 142-minute trifle - which comes close to being the longest non-musical romantic comedy...