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...fill Midland's pockets but potentially devastate Marfa's culture, lifestyle and economy, based in large part on tourism thanks to Marfa's proximity to Big Bend National Park and its reputation as an artists' haven (artists and galleries have been a fixture in town since celebrated sculptor Donald Judd relocated here from New York...

Author: /time Magazine | Title: Postcard: Marfa | 2/14/2008 | See Source »

...they are usually much older than the people they are making their movies for. The advanced average age of the voters--and the gradual conservatizing of their tastes--is one explanation for the films they give prizes to. They not only wouldn't give an Oscar to, say, a Judd Apatow film but probably haven't seen...

Author: /time Magazine | Title: The 800-lb. Golden Gorilla | 2/14/2008 | See Source »

...core convictions to fall back on, only addled appetites to satisfy. The film is co-written by Judd Apatow, (The 40-Year-Old Virgin, Knocked Up) who can do no wrong in Hollywood right now, and Jake Kasdan, who also directs with a light and glancing hand. They are good-natured lads - smart, but not mean-spirited - and richly blessed by the presence of John C. Reilly in the title role. There's an almost pre-moral innocence about his soft and squishy mug, a heedless exuberance in his playing. He's happy to play dumb - allowing Dewey to live...

Author: /time Magazine | Title: Walk Hard: Stumbling to Glory | 12/21/2007 | See Source »

With his latest feature, producer Judd Apatow, the mastermind behind “Knocked Up,” “The 40 Year-Old Virgin” and “Superbad,” takes some calculated risks. First, a plotline constructed to mock the inexhaustible slew of musician bio-pics finds Apatow outside his filmmaking comfort zone. Second, Apatow’s brand of comedy has become the primary draw, instead of the film’s star, John C. Reilly, a leading man whose most memorable role for Apatow’s audience (or anyone else?...

Author: By Ryan J. Meehan, CONTRIBUTING WRITER | Title: Walk Hard: The Dewey Cox Story | 12/14/2007 | See Source »

Instead of producing his own art, Govan has spent much of his career nurturing and learning from artists. At the Guggenheim, he came into contact with such artists as Dan Flavin and Donald Judd, and when he got to Dia in 1994, he helped his artists dream big. Besides offering them close to 240,000 sq. ft. (73,000 sq m) of exhibition space at Dia, he embraced such large-scale earthworks as Michael Heizer's City project and James Turrell's Roden Crater...

Author: /time Magazine | Title: Thinking Out Of the Box | 11/19/2007 | See Source »

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