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...nameless shade (Jonathan Pryce) arrives to conduct the aged, crippled Porter (Kevin Kline) out of this world into the next. Before they depart, they naturally pause to contemplate Porter's 73 years of existence. His homosexuality is not elided. His tense and enigmatic marriage to Linda Lee Thomas (Ashley Judd) is inconclusively examined. So is the riding accident that crushed both his legs and put him in constant, searing pain and (this is not mentioned) led to drug addiction for the last quarter-century of his life...

Author: /time Magazine | Title: Movies: It's De-Pressing! | 7/5/2004 | See Source »

Additionally, Sen. Edward M. Kennedy ’54-’56, D-Mass., the ranking member of the Senate Health, Education, Labor and Pensions Committee, and Sen. Judd Gregg, R-NH, the committee chair, both oppose redistributing federal aid, said Kennedy spokesperson Jim Manley...

Author: By Alan J. Tabak, CRIMSON STAFF WRITER | Title: Harvard May Lose $1.5M in Gov't Aid | 6/25/2004 | See Source »

...Judd B. Kessler, an economics concentrator in Adams House, was editorial chair of The Crimson...

Author: By Judd B. Kessler, | Title: Improving Care at Harvard | 6/10/2004 | See Source »

KEVIN KLINE had no trouble getting COLE PORTER under his skin for this summer's De-Lovely, a movie musical about the master tunesmith's complex relationship with his wife, muse and taskmistress, LINDA LEE PORTER, played by ASHLEY JUDD. Kline--who has experience with sexually ambiguous characters from 1997's In & Out--portrays the composer as a "lover of wine, men and song," he says. He sang 95% of his tunes in the film live rather than lip-synching over a score. "These songs are part of our musical collective unconscious," Kline says. "Or our Muzakal unconscious; we hear...

Author: /time Magazine | Title: Making Over The Porters | 6/7/2004 | See Source »

...stab at Broadway, even though it bombed. Though formulaic, I thought the play had potential when I saw it at New Haven?s Long Wharf Theater in early 2003. But it went badly awry on the road to Broadway, with some misguided rewriting, recasting of the lead role (Judd Hirsch replacing the more credible Martin Landau) and a set that divided the stage into unwieldy halves and dissipated the focus...

Author: /time Magazine | Title: Broadway and Beyond: The Tonys Get Serious | 6/4/2004 | See Source »

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