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...stem primarily from these shortcomings. One result of the delegation system is that it foils efforts to obtain power, run the College, or at least be an integral part in the decision-making. A student subcommittee, for example, will never be independent of the full committee's judgement regardless of the merits of a decision, just as a full committee containing students will not be independent of the Faculty's vote (which would usually be rubber stamp if students did not participate...

Author: By Boisfeuillet JONES Jr., | Title: Harvard and Protest | 6/13/1968 | See Source »

...When the Lord writes judgement on a land He writes it with a large hand--not in the deaths of the guilty for that is merely justice--but in the deaths of the innocent, for when the innocent are slain, in that land, justice herself is judged...

Author: By Richard D. Paisner, | Title: Warner Traynham | 4/25/1968 | See Source »

...this committee. Some decisions are clearly determined by FAS guidelines--especially those which involve the use of "physical stimuli, in abnormal amounts," the ingestion of toxic materials, or illegal drugs. But the majority of the cases are not so clearcut. The committee sizes up the issues, and makes its judgement...

Author: By Richard Summers, | Title: The Ethics of Human Experimentation | 4/21/1968 | See Source »

DeSmit's direction likewise makes it impossible to offer any complete judgement on the actresses. All had admirable voices and most were quite content to confine their performances to careful tuning of the vocal apparatus. In another production Susan Larson as the Princess might have been called on to exercise the comic talents which she hinted at. Jacqueline Meily, the scheming Lady Blance, would have done better with firmer direction, for she apeared a trifle timid on stage. Barbara Menaker had more success as Lady Psyche, Miss Menaker being another one of those whose acting was twisted into an excessive...

Author: By Charles F. Sabel, | Title: Princess Ida | 4/20/1968 | See Source »

...this evaluation of the finest moments of this production seems essentially noncommittal, it is because the production offers no further evidence upon which to base a judgement. Moss and Hamlin move to a confrontation with the text, a testing of the values of the playscript in terms of the demands of a real stage and a live audience, but sadly, the confrontation never takes place. The quality of the play remains an open question, not to be resolved on the Loeb stage. The production is finally a mixed bag, triumphant in many of its details, but so deeply divided against...

Author: By Peter Jaszi, | Title: The Empire Builders | 4/12/1968 | See Source »

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