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Word: jugendstil (lookup in dictionary) (lookup stats)
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...Heckel, Karl Schmidt-Rottluff and Fritz Bleyl (who was rather a sleeping partner), crystallized a common effort to develop a new artistic voice. These academy-trained ex-architecture students consciously rejected the socially imposed aesthetic of turn-of-the-century Germany, summed up in the refined nuances of the "Jugendstil" school of painting, and tried to work from an aesthetic of strong, elemental statements. Though anti-bourgeois in their rejection of the dominant bourgeois culture, and proletarian in their poverty, these early expressionists were not political but artistic evolutionaries...

Author: By Eleni Constantine, | Title: Chronicles of a Crossing | 6/13/1977 | See Source »

When he decided to abandon his academic career and paint, Kandinsky moved to Munich and studied there. After the provincialism of Russia, the artists' colony of Schwabing absorbed him. He called it "a spiritual island in the great world." This was in 1897, at the height of the Jugendstil, or Art Nouveau, movement. What Kandinsky go from Art Nouveau was not so much its airy, sinuous quality as its decorative way of filling space: a painting like Landscape near Murnau, as late a; 1909, is full of references to the style with its slow, thick contour of white cloud...

Author: /time Magazine | Title: Art: Endowed with Life | 5/15/1972 | See Source »

...evil-speak-no-evil tone as the world collapses around it. An imaginative Harvard Register parody attempts to portray the Dean of Freshmen as an old-fashioned aristocrat. Their Courses of Instruction is weak, not even as funny as the real thing. (Did anyone catch German 276, "Eroticism in Jugendstil Literature," described as: "Erotic motifs central to the Jugenstil period [together with death, water, and plant themes]. The ambivalent attitude of writers toward society...

Author: By Mike Kinsley, | Title: Reading Matter Oh, Lampoon! | 10/3/1970 | See Source »

What Ludwig created was a style. Though politically a puppet, he possessed the taste, the ability and the resources to blend Romanesque, Oriental, Moorish and rococo influences into what later became known as the Jugendstil-the German equivalent of art nouveau. Petzet's point is spectacularly documented in a dramatic display of 907 paintings, drawings, costumes, stage models, furniture and other rarely seen bric-a-brac commissioned and closely supervised in their execution by Ludwig for his many projects. The lot is installed for the summer in a wing of the Wittelsbach family palace, formally known as the Munich...

Author: /time Magazine | Title: Exhibitions: Eclectic Eccentric | 8/2/1968 | See Source »

Every Eye. Ludwig's most famous effort was Neuschwanstein, whose Romanesque-Moorish turrets bedeck Bavarian travel posters. The carvings and furnishings from its marble and mosaic chapel, study and bedroom display a gaunt tension that clearly foreshadows the Jugendstil 30 years before its prime. Sketches for carved colonnades incorporate fantastic root-and-branch configurations that would have delighted Spain's art nouveau master, Antoni Gaudí. Ludwig's two other palaces both evoke the rococo splendors of Louis XIV of France. From Linderhof come tutti-frutti-colored, specially commissioned Sèvres porcelain, embroidered screens inspired...

Author: /time Magazine | Title: Exhibitions: Eclectic Eccentric | 8/2/1968 | See Source »

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