Word: jugendstil
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Almost any photograph of a Northern European city street scene taken around 1900 shows how decisively art nouveau (or its German version, Jugendstil) permeated the Mauve Decade. As the first art style since the Industrial Revolution to integrate every phase of design, its florid, free-flowing lines ornamented buildings and posters, park benches and Metro stations, Tiffany glass and Liberty silks. Yet few styles have had a shorter life. It achieved its purplest popularity between 1895 and 1900, was fading fast by 1914. With the advent of the machined precision of the 1920s Bauhaus modernism, handcrafted art nouveau became...
...West Germany, a group of Munich Jugendstil fanciers, led by Retailer Hans Joachim Ziersch, 53, bought, for $380,000, the 20-room villa built by Franz von Stuck, and restored its public rooms and part of its atelier with another $250,000. At the turn of the century, Von Stuck was Germany's most fashionable painter, earning the equivalent of $250,000 a year. His slickly lecherous nymphs and centaurs were snapped up by wealthy industrialists, his portraits commissioned by royalty, and his banquets were compared to Roman Bacchanalia. Von Stuck's million-mark palazzo, begun...
...blend of crumbling worldliness and gooey sensuality of a Linzertorte. Like his native city, which lies on the fringes of the Western world, his work flirts with the Far East, draws from such predecessors as Egon Schiele and Gustav Klimt as well as the tendrilous enticements of Jugendstil or art nouveau. He mingles oils and tempera with gold and silver foil, beeswax, and bits of peat moss and sand to make his almost bitter, labyrinthine pastries...
...says French Art Expert Maurice Rheims, "no one except King Farouk would have thought of buying Gallé vases." But tastes change. The art-nouveau revival dates from 1952, when London's Victoria and Albert Museum organized a great retrospective exhibit. In Germany, where the sway of the Jugendstil (as art nouveau was called there and in Austria) had been total and the counterblow of the 1920s most radical, rediscovery began in 1958 with a big show at Munich's Haus der Kunst. In the U.S. the comprehensive 1960 "Art Nouveau" exhibit at New York's Museum...
Blake & Botany. Before it got its final name, the French called it Moderne, the Spanish Modernismo, the Germans Jugendstil. Architect Hector Guimard, who designed Paris elaborate Metro stations, blandly called it the Guimard Style. To some irreverent critics of the day, it was also the Tapeworm Style. In Art Nouveau's orchidaceous world of tendrilar lines, sweeping forms and bright stained glass, old Japanese woodcuts, the drawings of William Blake and a new fascination with botany all had their influence...