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...time, it was still impossible to tell whether the Hot Licks had given their Hicks up, or if Dan Hicks had simply gotten in his last licks. In either case, Hicks, sans Licks, will appear Sunday night at Symphony Hall, probably playing the same undefinable mish-mash of rock, jug-band, and jazz-type numbers he played with his group. Nobody on the newsboard had any of his records, so I dug up one semi-authoritative opinion: "His music's like thirties' jazz mixed in with a soap commercial." But the consensus is he's fun to hear...

Author: NO WRITER ATTRIBUTED | Title: Rock and Jazz | 10/18/1973 | See Source »

Geoff Muldaur, who co-founded the Kweskin Jug Band and was with them up until it disintegrated in 1969, is one of the main reasons Better Days is so different from Butterfield's previous band. Muldaur is an adept slide guitarist who carries several blues styles with him. He also contributes betwixt-and-between vocals (which are even better in live performance) and comes up with enjoyable arrangements. The drummer, Christopher Parker, is perfect in his blues discipline, delivering a steady, unadorned beat. He and bassist Billy Rich make up a solid, healthy rhythm section. Then we come to Butterfield...

Author: By John Porter, | Title: Blue Magic | 5/22/1973 | See Source »

...modernity was Cubism is not, however, just. Cubism was an inexpressive system, and therein, admittedly, lay much of its beauty. But Picasso was also a master of expression. He could give a bronze skull a terrible, impacted and bulletlike solidity, the very reductio of death; or paint a jug so that it seemed distended with anxiety; or confer on the rounded limbs of his mistress in the '30s, Marie-Therese Walter, a rhythmic and sensuous languor that might otherwise have vanished from the nude after Ingres. No modern artist has been able to pack more sensation into a form...

Author: /time Magazine | Title: Art: Pablo Picasso:The Painter as Proteus | 4/23/1973 | See Source »

...Afro) tell Your friends and comrades at and neat We send them hope for this new year To Buckley (Kevin) Ritchie Mike) We send Pulitzers (what Niemen like) For Marty Kilson and E. GuinierFour aspirin and two fifths of cheer. Dean Ebert, Dr. Funkenstein A Mystecin cocktail a jug of win Health Marg McKenna and Warren Wacker Adros Sizer and Hi. ylvisaker A Moose for Miss Bishop the poetry maker Metaphysical rapture for Herschel C.Baker.Petkevitch, and Valenzuela Make those New Years parties gala. Kudo to papa, applause for all the sports stars. And may Starrs sparkle brightly in Bill Liller...

Author: NO WRITER ATTRIBUTED | Title: Greetings to Our Friends | 12/20/1972 | See Source »

Braque was not primarily a painter of the human figure; when one appears in his work, as in The Model, 1939, she is treated as an object among other objects; the light and shadow fall on the face as they might on a Braque jug, bisecting it, reducing it to a formula with out - or perhaps beyond - personality...

Author: /time Magazine | Title: Art: Objects as Poetics | 10/9/1972 | See Source »

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