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Word: juilliard (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

Annamary Dickey, as fetching as a cinema heroine, reached the top the way a cinema heroine should. A college and Juilliard School graduate, she has been in the Auditions of the Air sweepstakes since the first, in 1935. Failing that year, she took a job with the Chautauqua (N. Y.) Opera Company, in the 1936-37 competition tried and failed again. That summer she sang with the St. Louis Municipal Opera. Last season appendicitis kept her out. This season she sang in two Broadway flops, felt that her experience had been rounded out, tried again. Successful, she expects to start...

Author: /time Magazine | Title: Radio: Winners | 4/10/1939 | See Source »

...most composers have been content to compose in one direction. Not so the famed, self-exiled German modernist, Paul Hindemith. Twelve years ago, before Nazi censors decided he was a Kulturbolschewist, sad-eyed Composer Hindemith dished up a whole opera in crab style. Last week an enterprising group of Juilliard Graduate School alumni gave this crab-style opera its first Manhattan hearing...

Author: /time Magazine | Title: Music: Palindrome Opera | 4/3/1939 | See Source »

...Most sensational debut of the Metropolitan's third week was not Masini's, but that of a young (25), good-looking New York contralto, Rise (rhymes with Pisa) Stevens. Contralto Stevens, who studied at Manhattan's Juilliard Graduate School, had spent three years singing at Prague's New German Theatre and at the Vienna Staatsoper...

Author: /time Magazine | Title: Music: Debs | 12/26/1938 | See Source »

Last week the camp neared the end of its eleventh season. A $300,000 concern, helped through depression years by friends like the Juilliard and Eastman Foundations, Carnegie Corp. and the late Sam Insull, the Music Camp offers eight weeks of fun and din to any young (10-to-18) U. S. musician with $200. About 200 youngsters attended this summer...

Author: /time Magazine | Title: Music: Water Lingers Again | 8/22/1938 | See Source »

Many U. S. music schools (e.g., Curtis, Juilliard, Eastman) maintain their own student orchestras. Yet, when new graduates of these schools try to get jobs with first-rate orchestras, they are generally turned away for lack of experience. In 1920, a red-headed teacher of music theory named Franklin Robinson finally realized that, because of this small but important difference between a music-school graduate and a full-fledged professional, U. S. symphony orchestras were packed with Europeans. Patriotic Teacher Robinson hastened to the late Mrs. E. H. Harriman, asked her to back him in the organization of a symphony...

Author: /time Magazine | Title: Music: Music Farm | 11/22/1937 | See Source »

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