Word: juking
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Dates: during 1990-1999
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...clubs that form the foundation for this new empire effect the rundown look and feel of a backwater juke joint, but folk art and antique guitars decorate their walls. A dozen color-TV monitors provide close-ups of the action on stage. The menu offers a melange of Southern dishes, from smothered chicken to spicy quesadillas. The performers are sometimes just as varied: such established blues acts as Bonnie Raitt and Muddy Waters, rockers like Bruce Springsteen, even reggae star Ziggy Marley. The Los Angeles club has developed such a hot reputation among mainstream musicians that the artist formerly known...
...seems every country-music juke box has just one song on it these days: Shania Twain's Any Man of Mine. This chirpy feminist anthem, so popular that it has inspired a parody version by a male singer, is generic pop at its most infectious. It has a little festival of familiar tropes: fiddles and steel guitars, drawling humor and tight harmonies, a pounding melody echoing Neil Young's Love Is a Rose and some "yeahs" filched from Ray Charles. There's even a snatch of rap, square-dance style, as it might be rendered by a cheerleader at Buford...
...nine in the morning, and Fred's Lounge is packed. please do not stand on the tables, chairs, cigarette machines, booths and juke-box! warns the sign on the wall of the tiny, bunker-like tavern on the main street of Mamou, Louisiana. Despite the early hour-the club is open just one day a week, Saturdays from 8 a.m. to 2 p.m.-the all-white crowd is washing down breakfasts of spicy boudin with cold, long-necked beers. As the onlookers tap their toes and stamp their feet, bandleader Don Thibodeaux, backed by an accordion, steel guitar, fiddle, drums...
...production of Robert Patrick's Kennedy's Children, Marc Talusan transforms the Loeb Ex into a bar. Instead of the traditional seating, there are dozens of little round tables, complete with coasters. Music from the late Sixties and early Seventies seems to emanate from a juke box in the corner. A bartender bustles around behind the bar. From the intensity of the atmosphere, one expects to be treated to an equally compelling play. The production never lives up to this expectation...
...radio as he finishes up the Scrutiny and contemplates how much he has left to do on his problem sets. Last week, I thought it would help him out if I substituted ABBA for bossa nova. But it didn't seem to work, much like Leverett's juke box experiment. Oh well...