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Word: julee (lookup in dictionary) (lookup stats)
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...case, you won't want to blow the money on the train ride into Boston, because Sugar, even though it's been designed and packaged by a roster of Broadway heavies, is about as weak as this present transition. All involved--Peter Stone on book, Jule Styne on Music. Bob Merrill on lyrics, sets by Jo Mielziner, direction and choreography by Gower Champion--appear to have approached the assignment with the kind of enthusiasm that should be reserved only for musicalizations of Night of the Living Dead. Lyrically, the libretto must have been written with a rhyming dictionary...

Author: By Gregg J. Kilday, | Title: Sugar | 3/10/1972 | See Source »

David Merrick will weigh in with Nobody's Perfect, an adaptation of the Billy Wilder movie, Some Like It Hot, in which Jack Lemmon and Marilyn Monroe costarred. Elaine Joyce will play the Monroe part and Bobby Morse will fill the Lemmon role. Jule Styne supplies the music, Bob Merrill the lyrics, and Gower Champion will direct. The team that put together Stop the World -I Want to Get Off, Leslie Bricusse and Anthony Newley, will be back with another marquee-macerating title, It's a Funny Old World We Live In, but the World...

Author: /time Magazine | Title: Show Business: The Fabulous Invalid's New Symptoms | 10/25/1971 | See Source »

...Sondheim became co-author of West Side Story and an established Broadway lyricist. "Steve always wanted to be an American Noel Coward," Foxy recalls fondly. The lyrics for Sondheim's next show, Gypsy, with music by Jule Styne, revealed a Lorenz Hartfulness. He rhymed Mazeppa and schlepper, and the progression "he goes, she goes, egos, amigos" could have come from the master himself. Despite his growing reputation as a lyricist, Sondheim yearned to be recognized as a composer, although his credentials as a musician were skimpy. In 1962, though, he wrote the music as well as the words...

Author: /time Magazine | Title: Show Business: The Once and Future Follies | 5/3/1971 | See Source »

...pleasant, but nothing to write home to Grosse Pointe about. It's got all the constituent parts-hopeless love, show biz, comic relief-but as Eddie tells Fanny in the first act: "Everything you've got's about right, but the damn thing don't come out right." Jule Styne and Bob Merrill's songs, on the other hand, are wonderful, from chorus songs like "Henry Street" to the torchy imitation of "My Man," "The Music that Makes Me Dance...

Author: By Mike Kinsley, | Title: Theatre Funny Girl at Agassiz this weekend and next | 11/14/1970 | See Source »

...longer inaugural pieces, historian Arnold J. Toynbee observes: In science and technology, man has been brilliantly successful; in morals he has been a tragic failure." In an item entitled "Thank God for Music," Composer Jule Styne rhapsodizes: "Music reaches the lefts and the rights with the same good emotional impact." Matsushita, who spends several hours a month delivering his own thoughts to a panel of scribes, provides some "Notes for World Prosperity." Sample: "Peoples from every corner of the earth must get together to launch an Apollo of the spirit." Other contributors include Anne Smol, 8, of London, who offers...

Author: /time Magazine | Title: The Press: Quotations from Chairman Matsushita | 10/12/1970 | See Source »

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