Word: julia
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...season (5), most career saves (7), and opponent batting average (.220). Madick’s strikeout-per-seven-innings ratio of 6.82 is good enough for second best in Crimson history. Her 42 wins and 439 strikeouts are the third best in program history. —Staff writer Julia R. Senior can be reached at jrsenior@fas.harvard.edu...
Since then, Soderbergh has won an Oscar (for directing Traffic), guided Julia Roberts to a statuette of her own (for Erin Brockovich) and launched an action-movie franchise (Ocean's), while Tarantino, a slower worker, created the vertiginous, voluminous Kill Bill. Today both gents were back on the Riviera, Soderbergh for the world premiere of his Che Guevara bio-pic, Tarantino to give a film "master class" - essentially a 2hr. interview, plus clip show, with the eminent French critic-historian Michel Ciment...
...Julia (Martina Gusman) wakes up, severely bruised, with two men asleep in her apartment. Only later does she realize that the first man (her lover) is dead, the second (his lover) alive but seriously wounded. Yet another intriguing plot set-up that goes nowhere, for this film quickly devolves into a prison drama as Julia is accused of the murder and discovers she is pregnant. Argentine law allows women prisoners to keep their children with them until the age of four. This allows Gusman (the director's wife) much latitude for scenery-chewing, which makes her another candidate for Best...
...that eerie mystery; it's an authentic, systematically annoying weirdie about the investigation of a roadside homicide. Five were brutally killed by a couple of maniacs in leatherface masks. Now the three shaken survivors are being questioned in a police station by two outside agents (Bill Pullman and Julia Ormond) who are skeptical of the variations in the stories they hear. Think Rashomon meets The Texas Chainsaw Massacre in Twin Peaks, and give lots of leeway for the gooniest improv overacting, and you may get on the warped wavelength of this semi-comic parable of social anarchy...
...crimes and the killer are intertwined with London's identity and history," says Julia Hoffbrand, co-curator a new major exhibition, "Jack the Ripper and the East End," at London's Museum in Docklands. Of the many hardscrabble neighborhoods of Dickensian London, none was more blighted than Whitechapel, a grim, crowded East End hellhole, rife with poverty, disease, crime and homelessness. Prostitution was widespread; alcohol was plentiful. Whitechapel as an ominous, foggy maze of gaslit, cobbled streets, alleys and dead ends "is still very much the public image of the East End now," says Hoffbrand...