Word: julians
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Dates: during 1960-1969
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...containing lead is recognized in industry. Lead poisoning in children-especially from age two to about five-persists, because even when they are not hungry, they will put anything into their mouths, including chips of paint that have flaked off window sills or radiators in old houses. Dr. J. Julian Chisolm Jr. of Johns
Frankenstein--Tonight and Saturday the Living Theatre gives its final performances in America for a while. This may not be the best of their productions and you may hate Julian Beck's troupe anyway--but their antics are worth looking at, at least once. At the BROOKLYN ACADEMY, 30 Lafayette...
When X gets to the Boston Common, Julian Beck and Judith Maline of the Living Theatre come over to the black flag and say they didn't know there were any anarchists in Boston. It is explained that X is not a Bakunonist operation, but rather, it does things that ask to be done. Beck nods, and says that what X tries to do is what he has been trying to do for years. The anarchists point out that there is no point in "comparing" any two ideas...
...officers of the Harvard Advocate for 1969 are James R. Atlas '71 of Dunster House and Evanston, III., president: Spencer B. Marx '71 of Quincy House and Scarsdale, N.Y., managing editor; Julian R. Birnbaum '70 of Adams House and Caldwell, Idaho, business manager; Margaret J. Rizza '71 of Cabot Hall and New Britain, Conn. and Richard H. Rosen '71 of Adams House and Highland Park, III., poetry editors; Douglas A. Booth '71 of Dunster House and Beverly Hills, Calif., prose editor; Sarah Warren '70 of 103 Walker Street and Nahant, art editor; Elizabeth A. Campbell '71 of 56 Linnaean Street...
...Sirhan Sirhan to Cain. Ideas wander idly in and out of the action. At all point's the company stretches its physical resources to the limit, and proves itself an unusually well-coordinated lot. Although The Open Theatre doesn't go in for the acrobatics encouraged by Julian Beck and his crowd, these performers seem every bit as able as their Living Theatre counterparts. And The Serpent, truth to tell, is a good deal more involving than anything on the current Living Theatre repertory...