Word: julians
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Dates: during 1960-1969
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...York, a bachelor dentist named Julian Winston (Walter Matthau) enjoys the benefits of a towheaded gamine, Toni Simmons (Goldie Hawn). How can he elude the marriage trap? Simple: by telling Toni that he is already bridled with a wife and saddled with three children. Suspicious, the mistress demands to see the wife. Winston persuades his spinster nurse, Stephanie Dickinson (Ingrid Bergman), to pose as Mrs. Dentist. Byzantine complications add a flush to Stephanie's sallow countenance, but the complications are purely formal. Once Bergman zeroes in on a male lead, the light comedienne should pack her gags...
...highpoint of the match for Army was Julian Burns' four-game triumph over Fernando Gonzales. The Crimson's number three player won his first game 15-11, but dropped three extremely close contests to Bruns-15-16, 15-18, and 11-15. Burns emered the match undefeated in intercollegiate competition...
...conversation, really, an intimate conversation among friends about a common and beloved friend. And when Julian Bond was speaking of America's racism and insensitivity, of its terrible waste of human life, one thought of the words Ossie Davis has spoken moments before, "The spirit of DuBois is not dead. Somewhere in this land, perhaps right here among us there is another DuBois to point the way. The line is unbroken...
...audience into intellectual awareness so that it would correct the evils of the age, Artaud wanted to gore it into a blood-dripping emotional awareness of the anguish of the age; Among those who have most notably tried to follow Artaud's precepts in the modern theater are Julian Beck and Judith Malina's Living Theater, British Director Peter Brook (Marat/ Sade) and Director Jerzy Gro-towski with his Polish Laboratory Theater. The Living Theater is sloppy, Brook is marvelously disciplined but a trifle too cerebral, and Grotowski combines fantastic discipline with lacerating emotional intensity...
...Julian Bond said in the keynote speech that DuBois had pointed out the major problem of the twentieth century over half a century ago. "DuBois in The Souls of Black Folk said that the major problem of the twentieth century is the problem of the color line-the failure of the white world minority to share its wealth and produce with the nonwhite world majority. That problem is still with us today," Bond said...