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...mural, which looks like a vastly inflated Frank Stella made of patio furniture. But at least the stage props of Deep Authenticity are less wearisomely apparent in this show than they used to be. The sound of breaking plates is distant, like the hunter's horn in Giselle: though Julian Schnabel, on the evidence of a work like Mimi, 1986, is as wretched a draftsman as ever, at least he spares us more of those ugly crusts of pottery, paint and stickum...

Author: /time Magazine | Title: Art: Navigating A Cultural Trough | 5/11/1987 | See Source »

...irony, no coherence, no prisoners. And no surprise that Russell now turns to Gothic, Stephen Volk's script about the famous night in 1816 that Byron (Gabriel Byrne) spent with his mistress Claire Clairmont (Myriam Cyr), his lover John William Polidori (Timothy Spall), his friend Percy Bysshe Shelley (Julian Sands) and Shelley's wife-to-be Mary Godwin (Natasha Richardson). From that spectral evening emerged Mary's idea for her novel Frankenstein...

Author: /time Magazine | Title: Cinema: Still Crazy After All These Fears | 4/20/1987 | See Source »

After a year's absence, Julian (Dan Rapport) and his new wife Lily (Ellen Bledsoe) pay an unexpected visit to Julian's spinster sisters Anna (Nora Jaskowiak) and Carrie (Sara Melson). Julian, who has become suddenly and mysteriously rich, showers his wife and sisters with gifts, but the women are unhappy because Julian's newfound independence upsets the balance of his relationships with each of them. Lily's anxiety is compounded by the presence of her estranged mother Albertine (Katherina Urso) and her mother's lover, Henry (Lisa Garmire...

Author: By Gary L. Susman, | Title: Harvard Theater | 4/17/1987 | See Source »

...less noted events. A tense encounter between a band of demonstrators and a deputy sheriff on the streets of Selma, for example, turns into an impromptu "debate" between people from different planets: "Do you believe in equal justice?" "I don't believe in equal nothin'!" The narration by Julian Bond is admirably restrained, and - those interviewed (from such movement leaders as John Lewis and Stokely Carmichael to old foes like Alabama Sheriff Jim Clark) look back without sounding either self-righteous or defensive. Except for its evocative use of spirituals and protest songs as a backdrop, the documentary refuses...

Author: /time Magazine | Title: Images Of Glory | 1/19/1987 | See Source »

...Angeles has some of the best private collections in America. These include the scholarly and fastidiously chosen group of 19th century American paintings assembled over the past two decades by Jo Ann and Julian Ganz Jr.; Robert Rifkind's superb conspectus of German expressionist paintings, sculpture, prints and posters, remarkable for its depth and its number of first-rate works by unfamiliar names as well as obvious greats; the collections of post-1945 American art put together by Robert Rowan, Marcia Weisman and her ex-husband Frederick Weisman; anthologies of big-ticket contemporary work bought in a few years...

Author: /time Magazine | Title: Art: Getting On the Map | 1/12/1987 | See Source »

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