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...report was widely praised round the world-and also subjected to some telling criticism. The most blistering attack has been launched by Julian Simon, a professor of economics and business administration at the University of Illinois at Urbana-Champaign. In the winter issue of the Public Interest, a neoconservative quarterly, Simon charges that the presidential panel and staff who wrote the report consisted almost entirely of well known Cassandras of the environmental movement. In making their predictions Simon argues, these prophets of doom relied on shoddy research and dubious analytical tools...

Author: /time Magazine | Title: Simon Says: A global report is otherworldly | 3/9/1981 | See Source »

After concentrating on the freestyle sprints for the dual meet season. Geoff Seelen proved himself once again, with a 52.26 to steal the 100-yd. backstroke event for the second year in a row. Teammate Dave Phillips, who along with Julian Bott seems destined to fill the gap that Seelen's upcoming graduation will leave in the Crimson's backstroke corps, reached the wall third, following Seelen and Temple's Cooper Taylor...

Author: By Michelle D. Healy, SPECIAL TO THE CRIMSON | Title: Aquamen Extend Lead in Day Two of Easterns | 3/7/1981 | See Source »

Missing from this year's contingent are Steve Schramm, David Lundberg, and Ron Raikula--and with them at least six fairly certain Eastern wins. But with freshmen like Julian Bott, Karl Illig, and Mike Miao along to take their places, the loss is far from fatal...

Author: By Howard Meade, | Title: Where the Smart Money Is... | 3/5/1981 | See Source »

...senior appreciation day on the decks, but sophomore breaststroker Jim Carbone joined three of the fabulous freshmen, backstroker Julian Bott, butterflyer Tony Meier, and freestyler Mike Miao, to draw first blood in the 400-yd, medley relay with an Eastern Seaboard leading time...

Author: By Michelle D. Healy, | Title: Swimmers Complete Perfect Campaign | 3/2/1981 | See Source »

...land artists, photographers, video and film makers. Some of the artists, like Richard Diebenkora, Harry Callahan or Ellsworth Kelly, are very well known and represented by first-class work. Others, like Willem de Kooning, are equally famous but showing weak things. Still others, such as the New York Artist Julian Schnabel (with his lumpen-expressionist jumbles of sticky paint and broken crockery), are immensely fashionable with collectors for reasons the work does not make clear. But nobody, not even the most dedicated footslogger on the SoHo treadmill, could have known everything in these three shows firsthand. Taken together, they make...

Author: /time Magazine | Title: Art: Quirks, Clamors and Variety | 3/2/1981 | See Source »

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