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...Geological Sciences Library (GSL) will double its size and expand its collection by the beginning of the 1980-81 school year, Julian W. Green, head librarian of the GSL, said Monday...

Author: NO WRITER ATTRIBUTED | Title: Geology Library | 4/9/1980 | See Source »

...first meet in Blodgett Pool and it went down to the last relay. I got so excited that I wrote on my scorecard that Bobby Mackett and Julian Hack were swimming for Harvard," Daniel says, smiling at the memory of the successful outcome...

Author: By Nell Scovell, | Title: Kidding Around With Men's Swimming | 2/27/1980 | See Source »

...Julian (Richard Gere) makes his living in the nicer precincts of Los Angeles by providing sexual services to well-off middle-aged ladies. He is pretty, smartly dressed and inarticulate when any serious subject comes up; yet one can understand what a neglected wife might see in him. His power with women derives not from being aggressively male but from being ingratiatingly sweet. He is good at his work and is sufficiently self-aware to understand that his exceptional talent is ultimately self-defeating: he can give pleasure but never receive it. Indeed, the film's major psychological twist...

Author: /time Magazine | Title: Cinema: Pinkeye | 2/11/1980 | See Source »

...film's emphasis, however, is too often elsewhere. Much of the plot revolves around an attempt to frame Julian for a particularly unpleasant sadomasochistic murder. Hector Elizondo is fine as the detective investigating the case, and Julian's attempts to clear himself allow Writer-Director Paul Schrader to penetrate the seamier side of a gigolo's world. Hollywood Boulevard garishness is colorfully contrasted with Rodeo Drive posh. But as in last year's Hardcore, Schrader seems unable to get very far beneath the ugly surface of the demimonde. It is clear he is horrified...

Author: /time Magazine | Title: Cinema: Pinkeye | 2/11/1980 | See Source »

...what finally betrays the film is a redemptive ending. Having spent almost two hours getting Julian into a tight corner, Schrader cannot bear to leave him there. The picture ends with a cockamamie implication that love will conquer all -even the false, but seemingly airtight, murder rap. Such a conclusion betrays everything the film has so carefully built up -the easily victimized Gere character, the hypocrisy of the chic world he has risen to, the viciousness of the underworld which spawned him and retains its vicious claim...

Author: /time Magazine | Title: Cinema: Pinkeye | 2/11/1980 | See Source »

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