Word: julians
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STRIDING ACROSS the auditorium stage at Babson Institute several weeks ago, Julian Bond appeared almost embarrassed by the standing ovation of almost two thousand people who had flocked to hear him. "It's him...I don't believe it, it's really him," exclaimed an ecstatic co-ed in the front row, a tweedy, horn-rimmed middle-aged man atoned to his wife, "God, he looks worn." The introductory applause kept Bond on his feet for almost five minutes. The air was hot and tense with excitement as people recovered the seats that many of them had come two hours...
Bond sat calmly, with an air of detachment as a nervous student gave a brief biographical sketch of Julian Bond: "Charter member of SNCC...major tactician for the civil rights movement in the early sixties...hero of the new left...rebel in the bastion of southern politics...member of the Georgia legislature...controversal figure in the Democratic Convention...
...since the 1929 Series, when Philadelphia scored 10 runs against the Chicago Cubs, has a team had such an inning. Only Julian Javier's single, with two out and two on in the ninth, saved the Cards from the most lopsided shutout in Series history...
...Mysteries and Smaller Pieces mysteriously proves, the Living Theater is a shock-troop army of the avant-garde dedicated to overthrowing the Establishment and conventional drama. Founded and led by Julian Beck and Judith Malina, the company had a modest off-Broadway success until it was closed down by the Internal Revenue Service in a 1963 dispute over back taxes. The troupe has been touring Europe ever since (TIME, Dec. 1, 1967). Last week it reappeared at the Yale School of Drama...
Most of the Living Theater's pieces are exercises in the manipulation of crowd emotions. Whatever does not actively irritate is designed to produce a kind of mesmeric communal hysteria. One piece finds Julian Beck sitting cross-legged in the middle of the stage. In a voice of clerical monotony, he says "Stop the wars, now." Cast members in the aisles shout back in unison, "Stop the wars, now!" He repeats the phrase half a dozen times as the audience response grows in force. Then he switches to "Freedom-now," and on through a litany of total dissent...