Word: juliene
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...Beyle-Stendhal, that kind of playacting was how men of character faced the facts of life. It is a key to his,thought. He hated hypocrisy, and so did his principal literary heroes, Julien Sorel. the ambitious provincial, Lucien Leuwen, the morose bourgeois, Fabrizio del Dongo, the romantic idealist. But to all of them and to all the young men who set out to conquer the world, Stendhal's message was plain: be insincere. It is one of the piquant paradoxes of the diary that Beyle offers the advice in all sincerity...
...theme of grim reality punctuates both the filming and the acting. Director Julien Duvivier lets his camera dwell at length upon the filth and vice of the Casbah. He delights in picturing squalid, old women sitting in doorways or sunning themselves upon the endless steps and terraces of the native quarter. Occasionally, however, the emotional implications of both setting and plot become cloying. A scene in which a fat hag tearfully recalls her past success on the stage turns maudlin, while the murder of an informer has all the qualities of an old time serial...
With this ceremony, the first of a new line of earthmovers, excavators and powered dump cars came off the assembly line in Japan. If the gods do look favorably on the enterprise, it will be because of the foresight of Julien R. Steelman, 47, president of Milwaukee's Koehring Co., which supplied know-how and a small amount of capital, and Japanese Industrialists Toshio Doko and Hiroyuki Hayashi, heads of Ishikawajima Heavy Industry, which furnished most of the capital and a plant. Together they formed the Ishikawajima-Koehring Co., to provide Japan with the tools for some...
...ancestor of Trio, Flesh and Fantasy is a splice of three separate stories. Trio, however, is a trilogy, Flesh and Fantasy an anthology. The only things these three tales have in common are a supernatural fizz and heavy-handed direction. Director Julien Duvivier (Un Carnet du Bal, Tales of Manhattan) pioneered the splicing art, but he keeps fantasy firmly earthbound in this 1943 effort. Granted, the writing is usually abominable ("Remember the boatman's song at twilight at Amalfi, the scent of orange blossoms on the road to Damascus," etc., etc.), but the absence of a light touch accentuates triteness...
EDWARD P. JULIEN...