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...most frustrating aspects of the show is the location of “Looking for Langston” (1989), a 45 minute film directed by Isaac Julien (VES 151ar, “The Post-Cinematic in Video Art”, African-American Studies 187y, “Black Cinema as Genre—From Blaxploitation to Quentin Tarantino”). It is almost impossible to truly appreciate the beauty of Julien’s film while standing in the Carpenter Center: the lighting is not ideal, the screen is tiny and embedded in an enormous white wall, and the ambient...

Author: By Tiffany I. Hsieh, CRIMSON STAFF WRITER | Title: Talented Faculty Delight In Otherwise Bland Show | 2/8/2002 | See Source »

...collections of the old masters, no matter how out of date ("elegant!"), out of touch ("timeless!"), or dowdy ("refined!"). This discrepancy was blatantly apparent at the recent haute couture shows in Paris. The big show of the season should have been Givenchy's. It was 28-year-old Welshman Julien Macdonald's turn to try to revamp the legendary house after enfant terrible Alexander McQueen quit to build his own brand with Gucci Group. Macdonald, who once designed knitwear for McQueen, played it safe. Very safe. Macdonald makes dull Paris debut, said London's Independent. The collection was lovely...

Author: /time Magazine | Title: Battle of the Boring | 7/30/2001 | See Source »

...Ronald Dutton, Jr., 17, and Andrea Julien, 18, were arrested by CPD for assault and battery with a soap dish...

Author: By Garrett M. Graff, CRIMSON STAFF WRITER | Title: POLICE LOG | 7/27/2001 | See Source »

...Long Road to Maztlan,” Julien uses similar elements—such as color, space and time—to tell a modern cowboy tale. Using a three-screen projection rather than two, Julien explores the contradictory elements of cowboys; their masculinity and eroticism, their freedom to roam yet restrained emotions and their frontier mentality. Cowboys dance randomly from screen to screen, then simply stare, then start swimming nude, then dance again—this cycle continues. The cyclical features of both the cowboys and their backdrop distort the perceptions of freedom and wild exploration that are naturally...

Author: By Patrick S. Chun, CONTRIBUTING WRITER | Title: Race In Digital Space | 5/4/2001 | See Source »

...Isaac Julien, Paul Pfeiffer, and Johan Grimonprez’s works are on display at the MIT List Visual Arts Center from April 27 through July 1, 2001 in conjunction with the Boston Cyberarts Festival. For more information, please call (617) 253-4680 or visit web.mit.edu/lvac/www/.

Author: By Patrick S. Chun, CONTRIBUTING WRITER | Title: Race In Digital Space | 5/4/2001 | See Source »

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