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Word: julienning (lookup in dictionary) (lookup stats)
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...week; any book would be easier going. The Red and the Black deals exam period diversion a death blow. Claude Autant-Lara has allowed himself to be carried away with the pathetic figure of a poor downtrodden peasant of the French Empire. He fails to recall that Stendahl saw Julien Sorel's answer to constricting French society as understandable, but not laudable. Sorel is no hero of the poor, he is simply the unfortunate...

Author: By Margaret A. Armstrong, | Title: The Red and the Black | 5/18/1959 | See Source »

Certainly, Stendahl had no intention of showing Julien exciting this mortal coil to the unconstrained accompaniment of a chorus of screeching voices, dominated by vibrating sopranos who soar higher and higher. Again, Stendahl had no intention of letting the weather conspire with the gods on the day of Julien's execution to show cloudiness and blue, the spacious firmament. Sorel strode to his death all right, but not to the majestic rumble of five symphonies' worth of kettle drums...

Author: By Margaret A. Armstrong, | Title: The Red and the Black | 5/18/1959 | See Source »

...Dostoevsky's characters and settings emerge with much of the brilliance they possessed in the novel, but for the most part, because of obvious time and filming limitations, this is not the case. The most noteworthy of the successes is that of Julien Carette who plays the part of Pierre Marcelin--the film's counter-part of Dostoevsky's unforgettable Semyon Zaharovitch Marmeladov. In his small role, Carette is funny, ridiculous in the grand Dostoevskian manner and yet elicits the viewer's pity and affection with his overwhelmingly human predicament...

Author: By Frederick W. Byron jr., | Title: The Most Dangerous Sin | 5/4/1959 | See Source »

...Swiftian extravaganza on the problems of a social climber in a society without stairs. But behind the comic mask there is the tragedy of social change, which is here expounded as the agony of moral growth, as the spiritual disaster of a young man who might be called the Julien Sorel of the welfare state...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 20, 1959 | 4/20/1959 | See Source »

Braine's novel, in fact, presents a startling parallel to The Red and the Black. Like Julien Sorel in Stendhal's masterpiece, Hero Joe Lampton (Laurence Harvey) is a handsome young parvenu of considerable practical intelligence. Rising 25, he sits at his desk in the town hall and dreams the usual "clerk's dream" of sports "cars, town houses, Riviera villas, linen sheets-and women who look right in them. "I'm going to have the lot," he announces grimly one day, and, like Sorel, he sets his cap for the daughter (Heather Sears...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 20, 1959 | 4/20/1959 | See Source »

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