Word: juliet
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Dates: during 1910-1919
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...born of experience and that born of imagination--there appears to be a third, the sincerity, namely, which is born of a delight in mere making and shaping. This delight and this sincerity are of a lower order certainly, but they are prerequisite. Romeo chants his real love for Juliet in the noble language he has learned in sonnetting the shadowy Rosaline. Romeo's creator strikes out that noble language clear and true only after long years of experimentation in technical devices and sonorous nothings. Dante, Chaucer, Shakespeare, Tennyson,--nearly all, indeed, who have most completely mastered the literary...
...Erstwhile Susan," for it comes not only with New York's stamp of approval, but pervaded with the charm and genius of Mrs. Fiske. It has been said that no part wholly deserving of her talents could be written by any save Mrs. Fiske herself, but here in Miss Juliet Miller, elocutionist, is a character--unique, vigorous and unfaded, and one that gives splendid opportunity for the star's delicate and whimsical touch...
...members of the Dramatic Club were the guests of Mr. Sothern and Miss Marlowe last evening at the performance of Romeo and Juliet. About forty men took advantage of the invitation and after the play were given an opportunity of meeting both of the stars. Previously the Dramatic Club had invited Mr. Sothern to speak at one of its meetings, but inability to arrange for a date lead Mr. Sothern, instead, to extend an invitation to the club...
...program for this evening's concert follows: Cesar Franck, Symphony in D minor; Saint-Saens, Concerto for Violin and Orchestra; Tschaikowsky, "Romeo and Juliet"; Overture, Fantasia after Shakespeare...
BOSTON SYMPHONY ORCHESTRA CONCERT. Soloist: Miss Kathleen Parlow, Violinist. Sanders Theatre, 8 P. M. Programme: Cesar Franck, Symphony in D minor; Saint-Saens, Concerto for Violin and Orchestra; Tschaikowsky, "Romeo and Juliet," Overture-Fantasia after Shakspere...