Word: juliet
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Dates: during 1930-1939
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...tabloid Julius Caesar is a hit; so is a marathon Hamlet. A romantic play-Romeo and Juliet-starring Katharine Cornell, does well enough; a largely rhetorical one-King Richard II-starring a then not well-known Maurice Evans, does far better. Hamlet, with John Gielgud, then no name on Broadway, goes over big; with Leslie Howard, a big Broadway name, flops. Tallulah Bankhead cannot last a week in Antony and Cleopatra, Walter Huston cannot last a month in Othello. The simplest answer is almost certainly right: Shakespeare is as popular as his performance...
...reporters wrote of romance, the conflict of generations, elopement. It was Romeo and Juliet, it was Our Town laid in the big city, it was as sentimental as Barrie, it was young love blossoming among the nightclubs. True, Mr. Lowther was getting pretty well along in years to be called, as his lawyer called him, "the kid." True, Eileen and George had been photographed together in nightclubs, and had been seen together for some time, nor was the illusion aided when the Hat Style News Bureau released a picture showing Mr. Lowther modeling one of John-Frederics' new creations...
...beginning, neither actors nor playwrights receive any cash. To such playwrights as Robert Sherwood, Noel Coward, Maxwell Anderson and Vegetarian George Bernard Shaw have gone hams for royalties. Shaw refused his, demanded spinach instead. Among dozens of productions, most unusual is a hillbilly version of Romeo and Juliet, with the feuding Montagues and Capulets looking more like Hatfields and McCoys. To Porterfield, the highest compliment his theatre has been paid is that not one vegetable has ever been thrown at the stage...
...Windsor last week drew diverse U. S. responses. From the New York Daily News, which has sniped at him ever since his abdication, an editorial: "As for the ex-King, will the world care much longer what is said or done by that aging Romeo and his aging Juliet?" From Band Leader Ozzie Nelson (by cable) a white dove...
...whole from being a tedious, uninspired production. What little zest remains of the hilarious Mark Twain story is submerged under the Negro Jim's long harangues flash of humor arouse the spectator's interest, as, for example, when the King and Huckleberry give a delicious parody on Romeo and Juliet. But such antics are all too infrequent, and even the melodramatic steamboat-race climax fails to save Twain from Hollywood. Funnier is the companion picture, "Blondie Meets the Boss" in which "Baby Dumpling" gives an uproarious imitation of a modern jitterbug...