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Word: juliet (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...last we have Tammy Tell Me True on the mainstage. George Hamlin has transformed Romeo and Juliet into a sugary epic. Teenagers will adore it, parents will approve: it's baby...

Author: By Joel Demott, | Title: Romeo and Juliet | 12/13/1967 | See Source »

Tuesday, December 12 MR. DICKENS OF LONDON (ABC, 7:30-8:30 p.m.). Sir Michael Redgrave as Charles Dickens conducts British Actress Juliet Mills on a tour of the city that he and his characters-Oliver Twist, Bill Sykes and Nancy, David Copperfield, Tiny Tim and Scrooge-knew in the 1800s...

Author: /time Magazine | Title: Television: Dec. 8, 1967 | 12/8/1967 | See Source »

...measure of charm to the role of Lady Jane that one almost does not notice Gilbert's celebrated libel on old womandom. In this she is aided by composer Sullivan, who manages a special, though for him certainly not unique, lyricism when she performs. Sharon Dennis, Carolyn Firth, and Juliet Cunningham are all excellent as Rapturous Maidens, displaying a sense of ensemble which has thus far eluded a good many professional companies. The officers of the dragoon guards likewise observe each other on stage. Theirs is the comedy of loud plainmindedness, of just enough mugging at just the right pace...

Author: By Charles F. Sabel, | Title: Patience | 11/4/1967 | See Source »

...KNOTTS SPECIAL (CBS, 8-9 p.m.). Only yesterday Don Knotts was a 98-lb. weakling. Today he's star of his own musical-comedy show featuring Andy Griffith, Juliet Prowse and Roger Williams...

Author: /time Magazine | Title: Television: Oct. 27, 1967 | 10/27/1967 | See Source »

...Scala's novelty for this tour was Bellini's I Capuleti e i Montecchi, a bel canto relic that the company recently revived after a century of relative neglect. A retelling of the Romeo and Juliet story that owes little to Shakespeare, Capuleti, with Bellini's intimate scale, pervading sweetness and utter predictability, is a distinct contrast to Verdi's powerful, primitive themes and vaulting imagination. But the company -notably the two leads, Tenor Giacomo Aragall and Soprano Renata Scotto-traded the flawed gusto of its Trovatore and Nabucco performances for restraint and quiet artistry, making...

Author: /time Magazine | Title: Opera: The Power of Positive Vocalizing | 10/20/1967 | See Source »

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