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Word: juliet (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...approach--may not be apparent. Superficial similarities do abound. Both Rauch and Warner wince at words like "experimental" and "avant-garde," but one thing is undeniable: Nobody who goes to a production by either of them expects familiar renditions of old favorites, even when the posters promise Romeo and Juliet or Twelfth Night or even Cinderella. There are sure to be challenges--women playing men, men playing women, audience members sitting on stage, actors operating curtains, new shocks of insight into a script. "You can't just sit back and know what's coming next," says one colleague of Warner...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...shocks are physical. When Rauch directed Romeo and Juliet on the mainstage, he startled everyone by turning the famous balcony scene upside-down. Juliet wasn't raised above the stage; instead, she curled up under a quilt on a large mattress, while Romeo stood over her pleadingly. Later, in the Capulet fault, the audience was treated to a ghostly mirror-image of itself--a huge bank of the auditorium seats with pale corpses propped in them, staring...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...seeing what develops spontaneously. "For me there's always been that tension," he says, "between having everything planned out and letting things happen naturally. I'm not that good at working things out on paper; I'm better with people." In the last week of rehearsals for Romeo and Juliet, which had an immense cast, he managed to spend an hour alone with each actor...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...into coming home to finish school. Two years later, in 1952, she moved back to Manhattan and was hired to perform in an industrial show for Servel appliances (on tour through the South, she pirouetted around an ice maker) and then for the Broadway chorus of Me and Juliet...

Author: /time Magazine | Title: The Best Year Of Her Lives | 5/14/1984 | See Source »

...seems to me. He has no sense of the music of verse." Al though Rowse usually retains the rhythm of Shakespeare's lines, some of his substitutions change it altogether. "We'll have no Cupid hoodwink'd with a scarf," says Benvolio in Romeo and Juliet; in Rowse's version he says "blindfolded," which adds an awkward syllable...

Author: /time Magazine | Title: Education: New Fardels for the Bard | 5/7/1984 | See Source »

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