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...Arts section had a Q&A with a news editor who was playing Juliet that weekend in a production of “Romeo and Juliet.” The next day, the editorial page praised a Web site designed by an editorial editor, who also happened to have won the editorial page’s endorsement last year in an unsuccessful bid to be Undergraduate Council president...

Author: By Michael Kolber | Title: Ombudsman: Crimson Should Strengthen Conflict-of-Interest Policy | 5/18/2007 | See Source »

...Romeo & Juliet Adams House Courtyard...

Author: By The crimson arts staff | Title: ARTS FIRST CALENDAR | 5/2/2007 | See Source »

Unlike star-crossed lovers and Danish princes seeking revenge, the recently resurrected Hyperion Shakespeare Company is getting a second chance after its initial demise. The first production of their newfound life will be “Romeo and Juliet,” which will run May 5 and 6 at 4 p.m. in the Adams House Courtyard. Jennie Israel, the associate artistic director of the Actors’ Shakespeare Project, directs. Tara L. Moross ’09 and Jason M. Lazarcheck ’08 are the producers. The Crimson recently sat down with Christopher N. Hanley...

Author: By Eric W. Lin, CRIMSON STAFF WRITER | Title: Hyperion Escapes Early Demise | 5/2/2007 | See Source »

...Juliet S. Samuel ’09, a Crimson associate editorial chair, is a social studies concentrator in Eliot house...

Author: By Juliet S. Samuel | Title: A Model Death | 4/4/2007 | See Source »

...from any student organization here, we want to bring in professionals to work with the undergraduate actors, to speak to and mentor,” says Fredricks. As a start, Benjamin Evett, Artistic Director of the Actor’s Shakespeare Project, will direct “Romeo and Juliet,” which opens at the end of April in the outdoor Kirkland and Adams House courtyards, a setting that harkens back to the outdoor roots of the company. The production of “Much Ado About Nothing” that Lithgow so enjoyed took place in Harvard...

Author: By Eric W. Lin, CRIMSON STAFF WRITER | Title: Hyperion Players Struggle for Future | 3/15/2007 | See Source »

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