Word: juliets
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Dates: during 1920-1929
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Married. William Pierson Hamilton, 54, of Manhattan, retired member of J. P. Morgan and Co., executor of the will of the late Mr. Morgan, to Mrs. Theodosia S. Carlin, of Montecito, Calif., at Montecito. Simultaneously it became known that Mr. Hamilton and his first wife, Juliet P. Morgan, daughter of the late J. Pierpont Morgan, had been divorced in December by decree of the Nevada State Courts...
Jane Cowl, fresh from her memorable success as Juliet, essayed the part of Melisande. She worked into it much of her own magic of voice and peculiar beauty. Yet there was little in the play which she could seize upon and call her own. She was a living figure lost in the brambles of a formless forest...
...social leaders who have been active supporters of birth control are Herbert B. Swope, Frank I. Cobb, Arthur T. Vance, Heywood Broun, B. W. Huebsch, George Haven Putnam, Sinclair Lewis, Judges John Stelk, Benjamin B. Lindsey, William H. Wadhams, Mrs. Felix M. Warburg, Miss Jeannette Rankin, Lionel Sutro, Airs. Juliet B. Rublee, Winston Churchill, Mrs. Willard Straight, Mrs. Norman deR. Whitehouse, Mrs. C. C. Rumsey, Mrs. Amos R. E. Pinchot, Mrs. Julius Rosenwald...
...save for one factor, and certainly as interesting, as today's was interesting. Beethoven's hackneyed, if beautiful, Egmont overture, Schumann's Symphony in D minor, than which there are probably few examples of poorer scoring, a viola concerto by our Bowen, and excerpts from Berlioz' symphony, "Romeo and Juliet," for which Mr. Monteux retains a peculiar fondness,--these make up the swing toward the right. To compensate, we expect the following week will bring at least Milhaud, Stravinsky, Hindemith, and Goosens...
...interesting to hear stories of her youth--how one day she had to steal some "polenta" to appease her hunger when playing Juliet how she played to an empty house on her first appearance at Vienna in "La Dame aux Camelias" and to an over-flowing audience the next night how she always scorned jewels and adornment, and how she made such expressive use of her hands that legend relates she would sometimes "lay them to rest within a velvet box" after a performance. Those who see her in either of her two Boston performances will find a more tangible...