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Word: juliets (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Schnozzle Durante rushes about the stage much as usual, like a worried tornado; he works harder than any other comedian, except possibly Ed Wynn. He makes a most unorthodox-looking Romeo, whose wooing of Juliet (Ilka Chase) is more like a bombardment than a courtship. In the loudest clothes ever worn by a white man, he cuts loose with a song called A Fugitive from Esquire. As a harassed guide, he attempts to conduct some hooligans through the ''Modernist Room" of the Metropolitan Museum. As a harassed tree surgeon he takes the temperature and sap-pressure...

Author: /time Magazine | Title: The Theatre: New Show in Manhattan | 6/3/1940 | See Source »

Romeo and Juliet (by William Shakespeare; produced by Laurence Olivier). Since Sothern & Marlowe, no pair of actors has undertaken Romeo and Juliet with more of an aura about them than Laurence Olivier and Vivien Leigh. Last year Olivier emerged as a great romantic lover in the movie version of Wuthering Heights, and Miss Leigh, at the moment, is the most talked-of cinemactress in the world. Both are young, extremely good-looking, and they themselves are in love...

Author: /time Magazine | Title: The Theatre: Old & New Play in Manhattan | 5/20/1940 | See Source »

...They cannot marry until their divorce decrees become final.) But last week one of the most glittering first-night audiences in Manhattan's history saw a production of Romeo and Juliet that was not merely weak or spotty, but calamitous. They saw a Juliet who looked like a poem, but had no sense of poetry, a Romeo who made a handsome lover, but talked as though he was brushing his teeth, conducted his courtship as though he was D'Artagnan. They saw fear and grief portrayed by belly-writhings and animal howls. They saw Olivier, in the first...

Author: /time Magazine | Title: The Theatre: Old & New Play in Manhattan | 5/20/1940 | See Source »

...Whitter, Cambridge Richard Herr Posy Platt, Wellesley Thomas A. J. Herzford Gay Crosby, Wellesley Henry R. Heyburn Phoebe Rotch, Boston John W. Hird, II Patricia German Richard A. Hirschfield Betty Johnson, Marblehead William A. Hoftyzer Jo Parrish, Smith Robert H. Hoskins Marguerite Allen, Wheelock William K. Humphrey Juliet Crowder, Wellesley Robert T. Hurley Phebe Perry, Vassar Albert F. Hyde, II Alison Gilman, Winsor School Carl H. Imlay Barbara Cosgrovo, Simmons, Sidney C. Jackson Julie Ann Dolan, Simmons Eugene P. Johnson Barbara Sommes, Simmons Charles W. Joyce Jane Hill, Sarah Lawrence Summer R. Katze Clare Werther, Endicott Maxwell Kaufer Doroty Cohen...

Author: NO WRITER ATTRIBUTED | Title: Over 200 Couples to Attend '43's Jubilee | 5/17/1940 | See Source »

...nothing did she enjoy such un-Shavian homage. A dark, passionate beauty with Italian blood in her veins, she reputedly inspired Burne-Jones to paint, and Kipling to write. The Vampire. In her prime-when she played The Second Mrs.Tanqueray, Magda, Romeo and Juliet, Pelléas and Mélisande-she shared honors with Bernhardt, Duse, Ellen Terry. She knew everybody in England, from Oscar Wilde to Edward VII. She was fearless and formidable, a woman who shared her love letters with the world, who had atrocious manners but a superb air, and a wit that Shaw himself might...

Author: /time Magazine | Title: The Theatre: Shaw's Vampire | 4/22/1940 | See Source »

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