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This was just what Columbia's Dr. Paolo Franzini had in mind when he went to work with Brookhaven's synchrotron in January 1965. Along with his wife, Dr. Juliet Lee-Franzini, Drs. Charles Baltay and Lawrence Kirsch, he fired particles called pi mesons into a bubble chamber filled with liquid deuterium. About one-thirtieth of the times that a pi meson hit a deuterium nucleus, out came the eta meson, which decays into three pions. The pions streaked through the bubble chamber, the positive leaving a line that curved to the right, the negative peeling...

Author: /time Magazine | Title: Nuclear Physics: A Step Away from Symmetry | 7/8/1966 | See Source »

Facts & Patents. Things went a bit better that evening at the Bolshoi, where De Gaulle received a standing ovation both from Muscovites and U.S. Ambassador Foy Kohler. The ballet was Romeo and Juliet, and De Gaulle, who was seated beside Klavdia Kosygin (Mme. de Gaulle's hostess throughout the week), loved every minute of it, especially the dueling scenes. He was also happy the next day, when the political talks took a more favorable turn. This time the main interlocutor was Economist Kosygin, who apologized for Soviet failure to deliver on 1964's Franco-Russian trade agreements. Said...

Author: /time Magazine | Title: Europe: The Grandest Tour | 7/1/1966 | See Source »

...Maureen O'Hara, who makes Technicolor seem a necessity. But the 4-H sex appeal of this genial western centers principally upon a white-faced bull named Vindicator. A hornless Hereford, he arrives in America well before the turn of the century, chaperoned by Maureen and plucky Juliet Mills as a well-bred English mother and daughter with some eccentric ideas about animal husbandry. Their hefty British bull is just the thing, they swear, to beef up the herds of lean longhorn cattle then prevalent in the West...

Author: /time Magazine | Title: Cinema: Bull Session | 4/29/1966 | See Source »

...desperadoes. He also delivers them safely to Texas Cattle Baron Brian Keith, who gives the film's liveliest performance as an unsanitary Scottish laird, up to his red beard in the debris of a crumbling ranch fortress that looks like condemned property. Maureen starts tidying up the place, Juliet busies herself with the rancher's neglected son (Don Galloway), while Vindicator is turned out to the open range, left to face a herd of cows who may or may not prove receptive to his aristocratic airs. All the livestock soon plods away discreetly into the snow. Back...

Author: /time Magazine | Title: Cinema: Bull Session | 4/29/1966 | See Source »

ROMEO AND JULIET (Caedmon) is a strange romance in this recording. Albert Finney, who can be as forceful as TNT, has conceived a Romeo who sounds like a world-weary anti-hero out of Chekhov. Claire Bloom is girlishly gigglish; yet Shakespeare's Juliet is young only in years, and packs a woman's wiles in a woman's body. The lovers are upstaged by the nurse, Dame Edith Evans, a paragon of timing, inflection and character immersion who could teach Finney and Bloom a thing or three about Shakespearean acting...

Author: /time Magazine | Title: Television: Apr. 22, 1966 | 4/22/1966 | See Source »

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