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Under new artistic director AnnaMarie Holmes, the Boston Ballet opens its 34th season with an old favorite, Prokofiev's Romeo and Juliet, dedicated to the memory of Boston Ballet dancer Heidi Guenther, who passed away this summer. Romeo is dazzling, Juliet the epitome of youthful innocence, and the choreography... all but ruins the production...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

...audiences cringed at Choo San Goh's choreography for the 1984 production of Romeo and Juliet, they should cringe no less at the new version presented by resident choreographer Daniel Pelzig. Since arriving at the Ballet in 1995, Pelzig has created several remarkable and highly entertaining pieces for the company. However, his forte lies in the modern and whimsical, not the classical and romantic, as shown only too well in the dull and uninspiring choreography of this...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

Students who want more information should contact Juliet Hochman at Juliet. Hochman@nike.com...

Author: By Tara L. Colon, CONTRIBUTING WRITER | Title: Nike Program Recruits Harvard Volunteers | 10/3/1997 | See Source »

...program "recruits and trains college students to coach under-served kids," said Juliet B.T. Hochman '89, P.L.A.Y. program manager...

Author: By Tara L. Colon, CONTRIBUTING WRITER | Title: Nike Program Recruits Harvard Volunteers | 10/3/1997 | See Source »

...films, Godard's cinematography is clean and sharply punctuated, fixing on such pop culture images as pinball machines and posters. High and low art are thrown back and forth, and shown to be virtually interchangeable. The Seine is a Corot, and Romeo and Juliet is a tabloid. The three protagonists run madly through the Louvre to try to outdo some sort of world record...

Author: By Lauren M. Mechling and Hanna R. Shell, CRIMSON STAFF WRITERSS | Title: Riding the New Wave: Absolut Godard | 10/3/1997 | See Source »

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