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...Smith didn't look like Fabio and sound like Mel Gibson (who speaks the role). But this is a movie-a cartoon, for goodness' sake! It is a boy-meets-girl, boy-gets-girl, boy-loses-girl story whose plot is familiar in every weepie affair, from Romeo and Juliet to The Bridges of Madison County. And it follows the rule of historical romance: Print the legend...

Author: /time Magazine | Title: CINEMA: PRINCESS OF THE SPIRIT | 6/19/1995 | See Source »

...least the 10th time in 38 years, Jerome Robbins is returning to West Side Story. It was the great showman's most brilliant idea, resetting Shakespeare's Romeo and Juliet among teenage street gangs in the 1950s. Slang may change and violence levels escalate, but the drama of the star-crossed city kids has never dated, nor has its appeal diminished. For the choreographer, now 76, the show has become a personal rite of renewal. Last week he renewed it once more, this time as a suite of dances for the New York City Ballet...

Author: /time Magazine | Title: DANCE: JEROME ROBBINS: WEST SIDE GLORY | 5/29/1995 | See Source »

...soon Iago is up to his old tricks, and, in a clever scene, turns Desdemona against Constance with the same words that had convinced Othello in the opening scene. Constance's only escape is another sudden jump, this time into Romeo and Juliet, where the abundant joys of sexual innuendo are added to those of Elizabethan paraphrase...

Author: By Adam Kirsch, | Title: Goodnight Squanders Talent Dreaming of a Better Script | 5/4/1995 | See Source »

...central conceit here is that Romeo and Juliet are both just horny, whiny teenagers, and that Romeo is actually gay. Thus both lovers fall for Constance, thinking her to be a boy, and both cross-dress to gain her attention, leading to gems such as: "Doth no one in Verona sail straight...

Author: By Adam Kirsch, | Title: Goodnight Squanders Talent Dreaming of a Better Script | 5/4/1995 | See Source »

...Juliet, Nora Dickey is winningly zany, jumping for any chance at a tragic suicide, and she relishes her lascivious double-entendres so much that we can't help but join in. Erik Amblad is surprisingly good in his brief serious scene from Othello, and plays both Tybalt and Constance's boss with doltish pride tempered by the right hint of self-mockery; his turn in drag, as Juliet's Nurse is low comedy but well done...

Author: By Adam Kirsch, | Title: Goodnight Squanders Talent Dreaming of a Better Script | 5/4/1995 | See Source »

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