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Word: julio (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Nina Stevens, as it happens, is not a partisan of Russia's equivalents to Rauschenberg or Julio Le Parc. Her preferences center around a group of Moscovites over 30 whose academic indoctrination was interrupted by World War II. They work as book illustrators or in publishing houses. Their paintings are frequently primitive, but often by design as well as accident, since many of them are familiar with the work of French Brutalist Jean Dubuffet and Mexican pre-Columbian art. Above all, they hark back to the powerful, stylized tradition of Russian icon painting that flourished between the 15th...

Author: /time Magazine | Title: Painting: Unrealism in Moscow | 6/30/1967 | See Source »

...roam the country's interior. Their attacks are, however, a far cry from the kidnapings and bomb-throwings that nearly panicked the country last year. One reason: the guerrillas have lacked a leader since Luis Turcios Lima died at 24 in an auto accident last October. New President Julio Cesar Mendez Montenegro has combined an army drive to hunt down guerrillas with a civic-action program that aims to lure peasants from the rebel cause by making life a little less unpleasant in the harsh backlands...

Author: /time Magazine | Title: Latin America: Castro's Targets | 5/19/1967 | See Source »

...major exhibit of contemporary art these days is complete without the zap of neon, the wink of a wiggle bulb, the spiral shadows of alumia or the ghostly glare of minimal fluorescence. M.I.T.'s Hayden Gallery was jumping last week with the flickering lights of Venice Biennale Prizewinner Julio Le Fare's black-and-white Pulsating Lights and other works of artists exploring light as an artistic medium. For the Los Angeles County Museum's forthcoming "American Sculpture of the Sixties" show, electricians were readying Stephen Antonakos' Orange Vertical Floor Neon, Chryssa's Fragments...

Author: /time Magazine | Title: Techniques: Luminal Music | 4/28/1967 | See Source »

Cheating Cheaters. As far as the young and adventurous are concerned, Julio Le Pare sums up what is happening in art. How seriously they take him is a question that doesn't bother Le Pare at all. He describes his own work as "a labyrinth, a fun house, a release from the conventional, uncomfortable world." He is all against the high seriousness with which critics and museums surround works of art. "Rather than take my art seriously," he explains, "the spectator should laugh when he enters the room." The cream of the jest Le Pare generally keeps to himself...

Author: /time Magazine | Title: Kinetics: Labyrinthine Fun House | 3/24/1967 | See Source »

...machinist's son, young Julio entered the Buenos Aires Academy of Fine Arts at 15, evolved from naturalistic painter into op artist under the influence of the works of Klee, Mondrian and Vasarely. He emigrated to Paris in 1958 and two years later, with a handful of other young Parisian artists, formed the highly experimental Groupe de Recherche dArt Visuel. One of the group's "researches" consisted of passing out Le Fare's cheating cheaters, along with chairs and shoes set on kangaroo springs, to passers-by on the St. Germain and Montparnasse boulevards...

Author: /time Magazine | Title: Kinetics: Labyrinthine Fun House | 3/24/1967 | See Source »

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