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...change started with cubism and widely affected the European avantgarde. Its results range from the futurist sculpture of Italian artists like Umberto Boccioni and Giacomo Balla to the radical experiments of the Russian constructivists, Tatlin, Rodchenko, Lissitzky, Puni; from Alexander Archipenko's wall reliefs to Julio Gonzalez's iron constructions and Alexander Calder's fluttering mobiles. Artists as unlike as Naum Gabo and David Smith were affected by it. No sculptor interested in either ideal formal systems or new materials was immune to its promises, and its influence persists to this day. Sculpture had been solid since...

Author: /time Magazine | Title: Art: At the Meeting of the Planes | 4/16/1979 | See Source »

...years of civil strife, generally known simply as "La Violencia." That left 200,000 dead and a society habituated to frontier justice and pervasive corruption. There were widespread rumors that government officials winked at or even sponsored the drug traffic. That changed, however, with the election last June of Julio Cesar Turbay Ayala, 62, former ambassador to Washington, as President...

Author: /time Magazine | Title: The Colombian Connection | 1/29/1979 | See Source »

...BANNED by the Argentine government in 1973. But it's hard to see why. For a novel about a group of expatriot Latin Americans in Paris ("The Screwery") who do little but eat, discuss metaphysics and screw, Julio Cortazar's A Manual for Manuel is far from politically threatening. Self-indulgent maybe, but not subversive...

Author: By Judy E. Matloff, | Title: Rebels Without A Cause | 1/11/1979 | See Source »

...Julio Cort...

Author: /time Magazine | Title: Books: Pendulum Left | 11/6/1978 | See Source »

Argentina is a country rich in every thing but stability. The nation has been so cursed by bloody political convulsions that its own best people have pro nounced their homeland incurable. Julio Cortázar's novel, A Manual for Manuel, is one Argentine expatriate's eccentric response to violence in his country (and to some extent Uruguay and Brazil) in the early 1970s. Cortzar, who has lived in Paris for some decades, writes in a surreal fashion. The effects can be dazzling - as in All Fires the Fire and Other Stories of several years ago. Here...

Author: /time Magazine | Title: Books: Pendulum Left | 11/6/1978 | See Source »

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