Word: jumbos
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Dates: during 1930-1939
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Most radio shows laboriously present audience surveys and other statistical mumbo-jumbo to prove to sponsors that they can pull in listeners. None of this was necessary, however, when Orson Welles's Mercury Theatre of the Air was sold to Campbell Soup last week. Week before Mr. Welles had proved that his program had grip when his production of The War of the Worlds and the U. S. radio audience's gullibility had created a national panic. Mercury Theatre will replace Campbell Soup's Hollywood Hotel on CBS December...
...decided it was not enough just to be good at the job; they had to be constantly different also. The one possible formula was: Don't have a formula; the one rule for success: Don't follow it up. Their last five shows explain what they mean. Jumbo was circus set to music, On Your Toes a spoof at ballet, Babes in Arms about kids in a depression world, I'd Rather Be Right a rubdown of F. D. R., I Married An Angel a pure extravaganza that started in Heaven and ended in Radio City...
...delight, but he is constantly at search for new forms across the known boundaries of his medium. The dream music for Peggy-Ann, and twelve years later for Married An Angel, the "Slaughter on Tenth Avenue" ballet music for On Your Toes, the march of the clowns in Jumbo, while probably causing Richard Strauss no alarm for his laurels, are imaginative and charming be yond the accepted standards of musicomedy music...
...best that can be said is that it is not unconstitutional will cause no enthusiasm among Republicans . . ." or anybody else whom Mr. Landon wishes to draw into the elephant's paddock in the next few years. A renaissance of the Republican party can occur only when and if Jumbo can get down to business and stop the tempting but childish political pastime of twisting the donkey's tail...
...another Chicago newspaper bravo, wrote The Front Page in 1928 and thereby hit professional pay dirt. During a fling with MacArthur in film production, a venture that improved their backgammon game but not their bank accounts, the pair found time to write the book for Billy Rose's Jumbo. Hecht confessed once that the drama was not a suitable medium for him ("I've never been able to compact an idea into three acts"). Last July he referred to Hollywood fame as "a load of clams" at which "a dreaming of his dithyrambs, our gallant Thespis thumbs...