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...Jungen is something of a cultural hybrid himself. His father, born in Switzerland, was 3 when he came to British Columbia with Jungen's grandparents, who had been enticed to Canada by government promises of farmable land. His mother was of native background, a member of the Dane-zaa Nation. "Interracial couples were very taboo," he says. "White guys could have native girls as girlfriends, but not wives." Jungen grew up on farms around Fort St. John, a once remote oil and logging center in northeastern British Columbia. He was 7 when his parents died in a fire...

Author: /time Magazine | Title: A Commercial Vision | 2/6/2006 | See Source »

...Jungen was a graduate of Vancouver's celebrated Emily Carr College of Art and Design, where he had brushed up against Pop, Minimalism, Post-Minimalism and Conceptualism. One big influence--although he saw their work only in photographs--was New York City artists who played with the idea of consumer culture in the 1980s--think of Jeff Koons suspending those basketballs in fish tanks like miraculous relics, or Haim Steinbach, who simply placed consumer goods on nicely laminated wooden shelves, sleek altars for sacred merchandise. Five years after he finished school, Jungen had his first show. One year later...

Author: /time Magazine | Title: A Commercial Vision | 2/6/2006 | See Source »

...museums and collectors as that ultimate in magical commodities, a work of art. (They're even more valuable than vintage Nikes, which fetch a nice price on eBay.) The Vancouver-based Gen X writer Douglas Coupland has one. So does the great Air Jordan himself. His representatives contacted Jungen to acquire one last year after reading an article in Sports Illustrated about the New York City show. Once the Prototypes started selling briskly, Jungen may have been tempted to start churning them out like, well, like tribal art for the tourist trade. Instead, and wisely, he brought the product line...

Author: /time Magazine | Title: A Commercial Vision | 2/6/2006 | See Source »

...What matters most is that the Prototypes are not just political cartoons. They don't amount merely to the sum of their presumed meanings. Like real native masks--or Michael Jordan--they have a fascination that can never be entirely explained. All the same, if Jungen's thinking started and ended with the Prototypes, he would have a hit on his hands but not a career. But time and again he reorients himself, and ends up someplace interesting...

Author: /time Magazine | Title: A Commercial Vision | 2/6/2006 | See Source »

...Vancouver show, Jungen and some assistants also spent days producing a new work in one of the museum's galleries, an almost 6-m tepee made from the coverings and wooden slats of 11 black leather sofas, the denatured equivalent of cowhides. Home Depot meets home tepee. "We treated the sofas like cattle," he laughs. "We herded them in, then we gutted them, then we skinned them." He didn't brand them first. He didn't have to. You know right away this must be a Jungen...

Author: /time Magazine | Title: A Commercial Vision | 2/6/2006 | See Source »

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