Word: junking
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...basic theme of her new collection, If Life Is a Bowl of Cherries - What Am I Doing in the Pits? (McGraw-Hill; $7.95), is surviving the daily bombardment of laundry, junk food and evidences of middle age. Bombeck herself has done it, as an Ohio mother of three and wife of a school principal. Now, with her children grown, she lives in a suburb of Phoenix. Bombeck has been called the female Art Buchwald. A better parallel might be Bill Mauldin, the author of World War IIs Willie and Joe cartoons. For at bottom, she views the housewife as society...
...screaming to their follow trainees that "I am here because I want to change." This presumed act of self-confession is greeted by a babel of resonating applause and general whooping reminiscent of the narcotics-induced pandemonium of a rock concert. But these people do not get off on junk or ganja, they get off on quaintly named exercises like psychocalisthenics, karma processing and catharsis for the Acceptance of Change. As we are assured by our guide on this sojurn into Aricaland, "The same general principles operating in the system at large are also operative in the spirit and body...
...cite and examine specific films. When I venture to say that Lina Wertmueller's Seven Beauties is among my favorite films, he characterizes her as "an interesting but unimportant filmmaker, a kind of Jacqueline Susanne of the cinema" who "entertains bourgeoise intellectuals on a slightly higher level than junk. In Seven Beauties the cinematic structure and forms that she chose don't correspond to the narrative and ideological substance. That content is superficially conceived she treated the dramatic concept without artistic depth." He then points out that we have reached an impasse--the only way to resolve the difference...
What about Jaws, which I found cinematically dazzling? "Junk," he says. "A stupid story--the techinique is meaningless." Its deficiencies, he says, show up clearly when compared to Hitchcok's Psycho.. "There was a very deep psychological justification for the horror in this film," he says. "In the shower sequence, Hitchcock created a metaphor for human fear. He also conveyed cinematically the theme of the inability to relate to another person...
While NBC does not "trivialize" the Holocaust, the commercial medium as usual supplies staggering irony: love, hate, life and death, v. body odor, heartburn, junk food and spray starch...