Word: junking
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Insert finger, tug and quaff: in those few seconds, the aluminum ring atop a pop-top can of beer or soda fulfills its function and becomes instant junk. Garbage men hate the rings because the sharp edges can cut. So do barefooted hippies and strollers on the beach. So do conservationists, who lament the litter. To at least one man, however, pop-top rings are a source of inspiration and income-and the raw material for a revival of a medieval fashion...
There are no textbooks-Smith considers most of them to be "junk"-but students are encouraged to read what interests them. "It's better to read a pornographic book than not to read anything at all," he says. He finds that crossword puzzles help build the vocabulary...
...WHEN THE JUNK artists come out from under the table, traditionally insular critics are pressed into finding a new vocabulary. You would not discuss Mickey Spillane and Ernest Hemingway with the same terms. Hence the meta-language of criticism has to be stretched beyond the usual valuations and interpretations in order to examine the structure of the creator's perceived world. The perceived world of a Spillane or a Russ Meyer becomes as important a tool for understanding our melieu as the far more complex world of Hemingway...
...Begin with a wage level that is the equivalent of those consumables (a certain quality of housing, education, food and clothing, recreation and health, etc.) required by working people to perform the creative, skilled work associated with our most advanced technologies (presently tied up in military, aerospace and related junk production). In other words, there is a need to "control" wages so as to have them correspond to our productive potential -that is, to adjust living levels so as to prepare not only presently employed but future productive generations to operate the already predictable technologies of tomorrow. After that...
Unfortunately, Boesman and Lena is one of those accounts of unlimited woe that try the playgoer's patience. Boesman (James Earl Jones) and Lena (Ruby Dee) are pitiable South African Coloreds whom God and man have forsaken, and whose only shelter is some abandoned junk on the banks of a muddy river basin. Nature wheels around them like an impatient vulture, and death is the only consolation prize that their life has to offer...