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Word: junks (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

With few exceptions, the self-seeking blurbs are quickly ripped open and then ripped up. But even that takes time, complained Miami Publisher Jay Morton of the weekly Florida Business Leader. After analyzing his daily 41-ft. pile of junk mail, Morton decided to take Draconian measures. By registered letter, he informed 35 of the most constant offenders (none of whom ever took ads) that in the future he would regard any handout as an ad-insertion order, which he would automatically print at a charge of $2.50 per column inch...

Author: /time Magazine | Title: Public Relations: Biting the Handout They Feed You | 8/19/1966 | See Source »

...decision to bail out was finally made for him when an explosion ripped the plane apart and triggered the ejection mechanism. Adams floated safely down into the South China Sea with nothing worse than burned hands. Bellinger, riding shotgun overhead, drove off a nearby North Vietnamese fishing junk; minutes later, a rescue helicopter ferried Adams to his carrier, the U.S.S. Oriskany, where squadron 162 ("The Hunters") greeted him with a paper missile and a 2-oz. glass of Napoleon brandy, a cherished ritual after a particularly hazardous mission. To his parents in Minneapolis, Adams sent a laconic wire: "Unscheduled swim...

Author: /time Magazine | Title: Nation: A Feeling for Freedom | 7/29/1966 | See Source »

...critic to gasp, "One almost wishes them back into clay." Caro gave up modeling in clay as "lifeless." A trip to the U.S. opened his eyebeams to the possibilities of metal assemblage. "There's a fine art quality about European art even when it's made from junk," he says. "America made me see that there are no barriers and no regulations...

Author: /time Magazine | Title: Sculpture: The Girder Look | 7/22/1966 | See Source »

...with his Eastman Kodak No. 1. Using photos and drawing upon his early training as a lithographer, he captured actuality, studied its nature, and then bent it to his artist's will. In The Lookout, Homer used a Maine neighbor, John Gatchell, as his oilskinned model. He rummaged junk shops to find the bell that served to symbolize a stalwart ship struggling across a boiling sea, only visible itself as a glimpse of whitecaps. It is a distant and different sea that splashes in watercolors in Shell Heap, with an angler bending to his catch while the breezy skies...

Author: /time Magazine | Title: Painting: Chanties in Color | 7/15/1966 | See Source »

Treasured Junk. Cornell's works were first shown in a New York gallery in 1932, exhibited with constructions by other artists under the general label "Toys for Adults." He has always used the visual vocabulary of surrealist collages: cut-up newspapers, pillboxes, corks, postage stamps, piston rings, things usually dug out of pantry drawers. Much of it is deliberately absurd: witness a board embedded with hand compasses; a cubbyholed compartment with cork balls, alphabet blocks and a seashell; or a case containing 15 shot glasses called Petite Musée. They are all symbols shorn of obvious symbolism, junk...

Author: /time Magazine | Title: Artists: The Compulsive Cabinetmaker | 7/8/1966 | See Source »

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