Word: junks
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...admission, Mark Renton, the enunciator of this caustic credo, is "a bad person." Heroin addict and layabout in the lower depths of Edinburgh, Renton steals from stores, locked cars, old-age pensioners' homes, his own mother's purse--all to support his "sincere and truthful junk habit." He blithely betrays his friends; his schemes help send two mates to jail and another into an early grave. When a baby in his shooting gallery suddenly dies, Renton's only impulse is to shoot up. He also smokes, talks dirty and blasts a dog's butt with BB-gun pellets...
...National PTA and the National Education Association, among others, are alarmed about the trend and are pressing for new guidelines. Meantime, it is up to individual teachers to recognize the junk in their junk mail...
...truth, storm chasing is arduous work that generally entails more common sense than courage and more physical discomfort than danger. Professional chasers often drive 15 hours a day for days at a time, subsisting on junk food and virtually no sleep. "We eat whatever Texaco, Conoco and Citgo are willing to serve up," laughs University of Oklahoma meteorologist Joshua Wurman. Nor do the hazards of the job always come from nature. Last year Wurman stopped during a chase to help extract a car from a ditch. "While I was pushing, the driver gunned his engine and I was covered...
...earliest pieces in the show, from 1954 to 1957, are terrible--Beat coffee-shop art writ large. What enabled him to become an artist in the 1960s was junk, scraps, the offcuts and excreta of America, which he combined first into small hybrid pieces and then into whole rooms and environments. As a hunter-gatherer, a snapper-up of unconsidered trifles, he was a whiz. He put in everything, including the kitchen sink--no, make that the whole kitchen. Some of the catalog entries for this show, listing title, date and materials, sound more like small towns than works...
...assembly of junk into metaphoric objects has an ancestry that goes back to Surrealism and German Dada. Joseph Cornell in the 1940s was the first American to base a whole oeuvre on it; Robert Rauschenberg in the '50s picked up on him; and Kienholz in the '60s on Rauschenberg. But whereas Cornell was butterfly gentle and Rauschenberg effusively open, Kienholz was a raging satirist attached to the view from over the top. Show him any kind of Establishment, and he loathed it. Almost from the start his work was about social pain, madness, estrangement. He hated all cant, including...