Word: junkyard
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...from help and into deadly conflict with a possessed spirit. But it is worth waiting for the careful logic of Novelist Stephen King's plot to work itself out. For their demon is not from outer space or the weirder reaches of the occult. No, Cujo is a junkyard dog. But he is huge. And maddened by rabies. And thoroughly implacable in his need to kill. As he proved in Alligator, Director Lewis Teague is a sly and stylish merchant of fear; as she proved in The Howling, Wallace knows how to play a scared lady...
Like its predecessor Mad Max (1979), The Road Warrior is set in the postnuclear future. The world has been totaled; civilization is a white-line junkyard; the only amenity is staying alive. Where there was high culture, now there is only car culture. In one of the film's first images, an automobile breaks angrily through one side of the truck that has been holding it; this is the caesarean birth of the new mutant marauders. They race across the scarred landscape on stripped-down motorcycles, killing for fuel, raping for fun, going to hell at 80 m.p.h...
...scoffed at the contention that "monkey genes" or natural selection could explain the appearance of the human race; the odds that "random shuffling" of amino acids would have produced life were, he said, one out of 10 40'000-the equivalent of a tornado blowing through a junkyard and producing a jumbo...
...film, a stylized musical set in Las Vegas on Independence Day, recounts the affairs of a junkyard owner (Frederic Forrest) with two women: a travel agent (Teri Garr) and a circus star (Nastassia Kinski). Coppola calls Heart "a lounge operetta, pretty and sweet. I've made too many gangster and soldier movies. I like fantasy and fable-it's a large part of me." It is also a huge part of the film's budget: Dean Tavoularis' dazzling sets cost more than $6 million to build. The film went $11 million over the original budget, shooting...
...cooperation of nearly every able-bodied Chicagoan except Dave Kingman. Elwood (Aykroyd) and Joliet Jake (Belushi) are out to reunite their band and raise enough money to keep their old parochial school open-and to do it they are willing to turn the Second City into an Indy 500 junkyard. Too rarely, the movie relaxes to let some fine rhythm-and-blues artists (James Brown, Aretha Franklin, Ray Charles) show what they can do; in the process they show up the two stars as glum shimmers, with no characters to inhabit and little feeling for the music. But the songs...