Word: juno
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...four beaches between the Orne and the Vire that the man-toman battle was fought in most savage fury. On Sword, Juno and Gold beaches, British and Canadian troops hurled in an astonishing force of "specialized armor" -mine-clearing tanks, pillbox-blasting tanks, ditch-filling tanks, flamethrowing tanks-but the German 716th Infantry Division, in fortified seaside hotels and summer villas, fought back viciously, inflicting 4,000 casualties...
...Verdun to Metz in the most spectacular armored advance of the war. There was the unforgettable moment when Paris was liberated. But those moments essentially had been made possible by the U.S., British and Canadian troops who, on that single day 15 years ago, stormed the beaches named Sword, Juno, Gold, Utah and Omaha...
...Juno (book by Joseph Stein, music and lyrics by Marc Blitzstein, dances by Agnes de Mille) is a Pyrrhic victory of Broadway talent over an Irish genius. This musical version of Sean O'Casey's Juno and the Paycock paradoxically mutes O'Casey's inner music with song, fetters his soaring spirit with dance, and deflects the lyric flow of his dialogue into prosy pools of talk...
...modern classic, Juno and the Paycock is fashioned around characters who escape the last-act curtain and become dramatic immortals like Hamlet, Tartuffe, and St. Joan. Captain Boyle, the strutting Paycock, is a Homeric boozer, braggart and whine. With a sea-rolling gait and a gravelly brogue, Melvyn Douglas makes him an amiably puckish buffoon but scarcely a Dublin Falstaff. O'Casey's Juno has a spiny tongue for her shiftless husband, but she is also an Earth Mother of Sorrows. Her unmarried daughter becomes pregnant; her son loses an arm to the British and his life...
...Melvyn Douglas kicks up a clog with a couple of cronies in a pub, and suddenly all Dublin floods onstage to sing that he's a Daarlin' Man, and hoist him on its shoulders. The intimate numbers are best. An Agnes de Mille solo, powerfully danced by Juno's doomed son (Tommy Rail), makes a poignant moment out of the life-destroying blight of Ireland's "Troubles." Two lovers' laments, One Kind Word and For Love, affectingly sung by Loren Driscoll and Monte Amundsen, highlight a Marc Blitzstein score that is more thoughtful than tuneful...