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...late Senator Joseph McCarthy, Nizer also favors waving a manila envelope full of "documents" to discomfort witnesses during crossexamination; the envelope is often empty. During direct examination of his client, he says, a good lawyer will stand at the far end of the jury box so that the jurymen can focus their attention on the witness without having their attention distracted or their view obstructed by counsel. But in cross-examination of a hostile witness, the lawyer will move close to the witness stand so the jury can closely watch every reaction in the duel between two adversaries. During crossexamination...

Author: /time Magazine | Title: Books: Bestseller Revisited | 1/26/1962 | See Source »

...Nicholson, the weightless, rainbow fantasies of France's Marc Chagall, and 30 dim-dusty canvases by Italy's Giorgio Morandi. Nicholson and Chagall were considered stiff contenders for the 300,000-cruzeiro ($3,780) grand prize. After the usual frenzied politicking, the 17 international jurymen settled on Italy's Morandi...

Author: /time Magazine | Title: Art: Good Man with a Bottle | 9/30/1957 | See Source »

With such evidence stacked against his client, Lawyer Williams took great care in picking jurymen, ended up with a working-class panel of eight Negroes, four whites. Then he proceeded to paint an emotional, vivid-hued contrast between Cheasty and Hoffa. Cheasty, went the Williams defense, was a "liar" and an "informer"; Hoffa was a man who "fought many battles for labor" and "never betrayed a trust." Jimmy himself took the witness stand and, with Williams asking helpful questions, blandly testified that he had hired Cheasty solely as a lawyer to help represent teamsters under investigation. Not until...

Author: /time Magazine | Title: LABOR: Out of the Trap | 7/29/1957 | See Source »

Twelve Angry Men (Orion-Nova; United Artists). "And wretches hang," wrote Alexander Pope, "that jurymen may dine." The force of Pope's words came home to Television Playwright Reginald Rose when he served on a New York jury. In 1954, in a 50-minute playlet produced on CBS, he threw a harsh light on the dangers inherent in trial by jury. He sat a national audience in the jury box and let them find out for themselves what an abyss of conscience the plank of constitutional law is laid across, and how it feels...

Author: /time Magazine | Title: Cinema: New Picture, Apr. 29, 1957 | 4/29/1957 | See Source »

...Five jurymen last week trooped into a spacious, canopied gallery in Pittsburgh's dingy Carnegie Institute, eased themselves into five waiting aluminum wheelchairs, then settled back for their intense, 2½-day task. All about them was the hand-picked selection of work by 328 artists from 23 countries about to be exhibited in this year's 40th Pittsburgh International, oldest (since 1896) and most prestigious U.S. international art show...

Author: /time Magazine | Title: Art: The Lost Generation | 10/24/1955 | See Source »

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