Word: jussi
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Dates: during 1960-1969
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...have confidence in. Director Leland Moss, for example, can always count on Harvard's leading young man of the tech scene, George Lindsay, to tech direct for him. There are usually a few people Lindsay can call on--Ted Shortcliffe used to work with him, and Mike Madison and Jussi Helava have been helping out recently, along with Miss Ettling. Lindsay complains of problems in holding master electricians when he designs lights--these are the people who help set up lights and operate the control board during the show. ("They all turn out to be lighting designers the next week...
PUCCINI: LA BOHÈME (2 LPs; Seraphim). The recording dates from 1956, a wonderful year to catch Soprano Victoria de los Angeles as the purest of Mimis, Tenor Jussi Bjoerling as the most poetic of Rodolfos, and Conductor Sir Thomas Beecham as an expressive Puccinist. The album was produced by the European firm EMI and originally sold by RCA Victor in the U.S. When EMI severed ties with Victor, the album was dropped from Victor's catalogue, only to be resurrected now with its new trademark of little seraphim wings. Mono only...
VERDI: REQUIEM (RCA Victor). The virtues of this new recording are the soloists. Carlo Bergonzi is good enough to make the listener forget Jussi Bjoerling's masterly reading of the Ingemisco. Birgit Nilsson is all fire; Lili Chookasian and Ezio Flagello both have big, warm voices. The difficulties stem from Erich Leins-dorf's conducting of the Boston Symphony. The pace is much too slow. The long, dramatic Otello-like lines enshroud the listener rather than move him. Tullio Serafin's interpretation of the Requiem (Angel) is still the best...
...JUSSI BJOERLING sings operatic duets with Robert Merrill and scenes (from II Trovatore, Rigoletto) with Zinka Milanov and others (RCA Victor). Like Caruso, whose popularity he nearly attained, the Swedish tenor died before 50, but unlike Caruso he was able to leave a treasury of well-engineered recordings of Italian opera. These excerpts date from 1950 to 1956, and show his voice getting slightly heavier and darker while retaining its refinement and radiance...
...classes, developed the ultra-highspeed (50 m.p.h.) "Moppie" powerboat hull, designed the 5.5-meter Minotaur that Massachusetts Yachtsman George O'Day sailed to victory in the 1960 Olympics. Hunt showed up at the world championship to try out his latest 5.5, Chaje II, built by Finnish Shipbuilder Jussi Nemes. The two planned to race her together. But Nemes had to rush home at the last minute-his shipyard had burned to the ground-and he asked Hunt to take over...