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Word: justino (lookup in dictionary) (lookup stats)
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Leaving the church I stopped a family of six, all wearing masks and asked them why they took the precautions. Justino, 46, a chemical engineer, said, "Being far away from Mexico, does not mean this cannot affect us. I am worried for my four children. All are under 14 and classes have not been suspended here. I think prevention is most important, the authorities have the responsibility to let us know what is going on. I think classes should be suspended. My children will not be going to school this Monday, until I know it is safe." His wife Monica...

Author: /time Magazine | Title: Swine Flu: Mexico's Lost Weekend | 4/27/2009 | See Source »

...with tender reminiscences only implied in the libretto. In Otello, however, flashbacks to the Moor's slave childhood are maudlin, and Zeffirelli's camera, jumping edgily from storm to massed choruses to brawls and bedrooms, tires the mind. As Otello, Tenor Placido Domingo is in robust voice, and Bass Justino Diaz makes a splendidly vile Iago. Yet Zeffirelli's presumption in heavily editing Verdi's taut masterpiece serves neither movie audiences nor opera lovers well, and the patina of homoeroticism that suffuses the film contradicts the heterosexual spirit of both libretto and score. No wonder he cut Desdemona...

Author: /time Magazine | Title: Cinema: Rushes: Oct. 6, 1986 | 10/6/1986 | See Source »

...Justino de Paz Balmaseda Madrid...

Author: /time Magazine | Title: Forum: The Once and Future Spain | 11/24/1975 | See Source »

...Pamir a, the doomed daughter of the governor of Corinth, Sills successfully re-established her claim as the most radiant and musical of prima donnas. The dilemmas that Pamira finds herself in would try even Aida, and Sills rose to them all. Briefly, Pamira loves Maometto (Bass Justino Diaz), the leader of the attacking Turks. Her father wants her to marry the Greek warrior Neocle (Mezzo Verrett...

Author: /time Magazine | Title: Music: Sills Meets the Met | 4/21/1975 | See Source »

...enough like a man to make the impersonation halfway acceptable. Hers is not a warm voice, but it is clear and brilliant. Dramatic coloratura lines spun out in the third act's "Non temer" brought Verrett a three-minute ovation of her own. As Maometto, the tall, athletic Justino Diaz not only displayed one of the richest, manliest basses around, but actually made this terrible Turk a figure of dignity and believable emotion...

Author: /time Magazine | Title: Music: Sills Meets the Met | 4/21/1975 | See Source »

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