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...half-hour's worth of ballet (wisely, considering the Met's declivity for dance) and edited the work down to three acts, running a relatively tidy 3½ hours. Then there were the principal singers: Sopra no Montserrat Caballe, Tenor Nicolai Gedda, Baritone Sherrill Milnes, Bass Justino Diaz. They constituted the kind of front-rank cast that the company does not regularly assemble these days. Nor does the Met orchestra play every day with the snap and precision that it gave Conductor Levine...

Author: /time Magazine | Title: Music: Call to Vespers | 2/11/1974 | See Source »

SANDERS THEATER. Bach Society Orchestra. Mozart: Concerto No. 10 for Two Pianos (Paul Rosenbloom and Hugh Wolff, soloists); Bach: Cantata No. 82 (Justino Diaz, basso soloist). Tickets...

Author: NO WRITER ATTRIBUTED | Title: Classics | 5/3/1973 | See Source »

...outclasses anyone now writing for the operatic stage. Beatrix Cenci can best be described as Renaissance Gothic. Based partly on history, partly on the Shelley tragedy, it tells how a young Roman noblewoman (Soprano Arlene Saunders) is seduced by her choleric, morally corrupt father. Count Francesco Cenci (Bass-Baritone Justino Díaz), then revenges herself by arranging his murder. In the end, she is found out, tortured on the rack, beheaded. Not a libretto to every composer's taste, naturally, but just the thing for the savage, harshly dissonant musical style already familiar , from Ginastera's equally...

Author: /time Magazine | Title: Music: A Mass for Everyone, Maybe | 9/20/1971 | See Source »

...Sills of the New York City Opera made a stunning La Scala debut as the Greek heroine Pamira. Mezzo-Soprano Marilyn Home displayed her rich vocal resources as the young Greek army officer Neocle (in the 19th century,female singers were often cast as young men). Puerto Rican-born Justino Diaz of the Met filled the basso role of the Turkish sultan with majesty and brilliance...

Author: /time Magazine | Title: Opera: Rossini Rides Again | 4/18/1969 | See Source »

...Carmen on its list, and last week, after six years' absence, Bizet's supple shocker returned to the Met in a new production. The Carmen was Grace Bumbry, a Negro mezzo-soprano from St. Louis; her Don Jose was Nicolai Gedda, a Swedish-Russian; the Escamillo was Justino Diaz, a Puerto Rican. The conductor was Zubin Mehta, an Indian from Bombay who now conducts the Los Angeles Philharmonic-and who last week touched off a furor by denying that he was the least bit interested in conducting the New York Philharmonic*Yet what the musical performance lacked...

Author: /time Magazine | Title: Opera: Dance of Life | 12/22/1967 | See Source »

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